{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/69258"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/69258","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Watching you watching you","abstract":"This thesis consists of four parts. Part one is a written dialogue in which I respond to the words and the thoughts of the photographer, Diane Arbus. Through responding to Arbus' thoughts, I had hoped to make clear my own thoughts and feelings about photography and the reasons why I photograph. Part two is a description with drawn sketches. It describes my original plan for the public presentations of my project. Part Three consists of photographic collages with brief written descriptions. It describes the actual public presentations that took place. Part four is a written description of the public presentation project including: l. My original concept and motivation for doing the project. 2. A description of how the concept evolved into its final physical form. 3. What participation in the project meant to the participants and myself.","abstract_html":"This thesis consists of four parts. Part one is a written dialogue in which I respond to the words and the thoughts of the photographer, Diane Arbus. Through responding to Arbus&#x27; thoughts, I had hoped to make clear my own thoughts and feelings about photography and the reasons why I photograph. Part two is a description with drawn sketches. It describes my original plan for the public presentations of my project. Part Three consists of photographic collages with brief written descriptions. It describes the actual public presentations that took place. Part four is a written description of the public presentation project including: l. My original concept and motivation for doing the project. 2. A description of how the concept evolved into its final physical form. 3. What participation in the project meant to the participants and myself.","abstract_has_math":false,"creators":["Nagura, Hideji"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture.","school":null,"contributors":[],"advisors":["Starr Ockenga."],"committee_chairs":[],"committee_members":[],"year":1982,"date_issued":"1982","date_published":"1982","updated_at":"2026-07-22T22:20:51Z","subjects":["Architecture."],"languages":["eng"],"rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"rights_urls":["http://dspace.mit.edu/handle/1721.1/7582"],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1721.1/69258","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Starr Ockenga."]},{"key":"dc:contributor.department","label":"Department","values":["Massachusetts Institute of Technology. Dept. of Architecture."]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["Massachusetts Institute of Technology. Dept. of Architecture."]},{"key":"dc:creator","label":"Author","values":["Nagura, Hideji"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2012-02-29T16:46:37Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2012-02-29T16:46:37Z"]},{"key":"dc:date.issued","label":"Date","values":["1982"]},{"key":"dc:publisher","label":"Institution","values":["Massachusetts Institute of Technology"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Architecture."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://dspace.mit.edu/handle/1721.1/7582"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1721.1/69258"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1982.","MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.","Bibliography: leaf 59."]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis consists of four parts. Part one is a written dialogue in which I respond to the words and the thoughts of the photographer, Diane Arbus. Through responding to Arbus' thoughts, I had hoped to make clear my own thoughts and feelings about photography and the reasons why I photograph. Part two is a description with drawn sketches. It describes my original plan for the public presentations of my project. Part Three consists of photographic collages with brief written descriptions. It describes the actual public presentations that took place. Part four is a written description of the public presentation project including: l. My original concept and motivation for doing the project. 2. A description of how the concept evolved into its final physical form. 3. What participation in the project meant to the participants and myself."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["M.S.V.S."]},{"key":"dc:title","label":"Title","values":["Watching you watching you"]}]}],"canonical_facts":{"dc:contributor.advisor":["Starr Ockenga."],"dc:contributor.department":["Massachusetts Institute of Technology. Dept. of Architecture."],"dc:contributor.other":["Massachusetts Institute of Technology. Dept. of Architecture."],"dc:creator":["Nagura, Hideji"],"dc:date.accessioned":["2012-02-29T16:46:37Z"],"dc:date.available":["2012-02-29T16:46:37Z"],"dc:date.issued":["1982"],"dc:description":["Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1982.","MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.","Bibliography: leaf 59."],"dc:description.abstract":["This thesis consists of four parts. Part one is a written dialogue in which I respond to the words and the thoughts of the photographer, Diane Arbus. Through responding to Arbus' thoughts, I had hoped to make clear my own thoughts and feelings about photography and the reasons why I photograph. Part two is a description with drawn sketches. It describes my original plan for the public presentations of my project. Part Three consists of photographic collages with brief written descriptions. It describes the actual public presentations that took place. Part four is a written description of the public presentation project including: l. My original concept and motivation for doing the project. 2. A description of how the concept evolved into its final physical form. 3. What participation in the project meant to the participants and myself."],"dc:description.degree":["M.S.V.S."],"dc:identifier.uri":["http://hdl.handle.net/1721.1/69258"],"dc:language.iso":["eng"],"dc:publisher":["Massachusetts Institute of Technology"],"dc:rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"dc:rights.uri":["http://dspace.mit.edu/handle/1721.1/7582"],"dc:subject":["Architecture."],"dc:title":["Watching you watching you"],"dc:type":["Thesis"]},"updated_at":"2026-07-22T22:20:51Z"}