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Massachusetts Institute of Technology

Mapping form/ constructing context : an operatic proposal for Boston

Abstract

dc:description.abstract

This thesis explores the relationship between form, context, and program through the optic of sound. The project consists of an open assembly of receptive surfaces (a multiple membrane system) that register and retrace different music tempos and acoustical events from the interior and the city's vibrations, rhythms, noises and breath, from the exterior. The oscillating effect between these parameters begins to define a thickened zone of space that mediates program and context through its deployment of surface, facade, flow and structure. It is this deployment that becomes critical- it becomes a way of constructing one's own context- a coordinate system that belongs only to the project at hand. This coordinate system is a resultant of the mapping of forces- a diagramming of flows and influences that are present in the site, the program, the project and its methodology. A formal strategy evolves that is discovered rather than implemented, and as a result, the internal logic of the project becomes the generative mechanism (evolutionary) that sets in motion its transformations, deflections and formulation. Ultimately the thesis proposes a way of dealing with the gap that exists between intuition and science, and decides where it positions itself along this bar. The computational model is developed initially from intuitive readings and mappings of the site- this intuition is then transferred into a context, or framework that can be tested. This testing becomes a critical part of constructing context- it is through testing that the intuitive meets the rational and calibrates the internal logic of the project.

Degree

thesis:*
Department dc:contributor.department
Massachusetts Institute of Technology. Dept. of Architecture.
Grantor dc:publisher
Massachusetts Institute of Technology
Year dc:date.issued
2001

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Mendoza, Rolando (Rolando Jose), 1966-
Advisor dc:contributor.advisor
  • Fernando Domeyko.

Subjects

dc:subject × 1

Rights

dc:rights
Statement dc:rights
  • M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/1721.1/68805
OAI identifier oai:identifier
oai:dspace.mit.edu:1721.1/68805

Chain of custody

source
Harvested from
MIT
Base URL
dspace.mit.edu/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Mendoza, Rolando (Rolando Jose), 1966-. Mapping form/ constructing context : an operatic proposal for Boston. Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/68805