{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/68743"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/68743","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Adelante con animo","abstract":"A proposition of this thesis is that architecture is capable of conveying a sense of animation, movement and energy. These are elusive properties. Their perception perhaps emerges from the building's form or articulation (referential to life-like forms). It may emerge from correlation with living processes (change, reactivity). At its most elusive, the perception perhaps comes from a capacity for\" animo\" ... A kind of completeness, intrinsic intent, inherent life. The work of Calder and Calatrava is examined in order to understand how such a perception might arise and to clarify what I mean by \"animo\". That inquiry is one part in a yet broader sequence of events exploring ways in which buildings are made and reflecting on ways of working. The journey, from percept towards the design of a composting fertilizer factory and rural rest stop in northern Mongolia, is an exploration of these issues. The thesis is a recording of the events.","abstract_html":"A proposition of this thesis is that architecture is capable of conveying a sense of animation, movement and energy. These are elusive properties. Their perception perhaps emerges from the building&#x27;s form or articulation (referential to life-like forms). It may emerge from correlation with living processes (change, reactivity). At its most elusive, the perception perhaps comes from a capacity for&quot; animo&quot; ... A kind of completeness, intrinsic intent, inherent life. The work of Calder and Calatrava is examined in order to understand how such a perception might arise and to clarify what I mean by &quot;animo&quot;. That inquiry is one part in a yet broader sequence of events exploring ways in which buildings are made and reflecting on ways of working. The journey, from percept towards the design of a composting fertilizer factory and rural rest stop in northern Mongolia, is an exploration of these issues. The thesis is a recording of the events.","abstract_has_math":false,"creators":["McCullough Maker, Kathleen Grace"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture.","school":null,"contributors":[],"advisors":["Rosemary Grimshaw."],"committee_chairs":[],"committee_members":[],"year":1992,"date_issued":"1992","date_published":"1992","updated_at":"2026-07-22T22:21:24Z","subjects":["Architecture."],"languages":["eng"],"rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"rights_urls":["http://dspace.mit.edu/handle/1721.1/7582"],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1721.1/68743","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Rosemary Grimshaw."]},{"key":"dc:contributor.department","label":"Department","values":["Massachusetts Institute of Technology. Dept. of Architecture."]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["Massachusetts Institute of Technology. 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Their perception perhaps emerges from the building's form or articulation (referential to life-like forms). It may emerge from correlation with living processes (change, reactivity). At its most elusive, the perception perhaps comes from a capacity for\" animo\" ... A kind of completeness, intrinsic intent, inherent life. The work of Calder and Calatrava is examined in order to understand how such a perception might arise and to clarify what I mean by \"animo\". That inquiry is one part in a yet broader sequence of events exploring ways in which buildings are made and reflecting on ways of working. The journey, from percept towards the design of a composting fertilizer factory and rural rest stop in northern Mongolia, is an exploration of these issues. 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Their perception perhaps emerges from the building's form or articulation (referential to life-like forms). It may emerge from correlation with living processes (change, reactivity). At its most elusive, the perception perhaps comes from a capacity for\" animo\" ... A kind of completeness, intrinsic intent, inherent life. The work of Calder and Calatrava is examined in order to understand how such a perception might arise and to clarify what I mean by \"animo\". That inquiry is one part in a yet broader sequence of events exploring ways in which buildings are made and reflecting on ways of working. The journey, from percept towards the design of a composting fertilizer factory and rural rest stop in northern Mongolia, is an exploration of these issues. 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