{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/67740"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/67740","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Transparency and place : a visitors' center in Sydney Australia","abstract":"An exploratory design project is used as a vehicle to understand and identify approaches towards the notion of \"place\" and more precisely \"visiting a place\". The inquiry begins from the design challenge of an architectural competition for the design of a visitors' center in Sydney Australia. The international design competition set by AlA, ASCA and DuPont Glass Industry, is asking for a building, addressed to visitors of Sydney, that represents the \"Australian culture\" and can provide general information on ways to explore the continent. The design exploration navigates through several descriptions and approaches, on the city and the continent, conducted by a variety of intellectuals, writers, reporters, and Architects. The hints collected, enrich the design diary, and formulate the design process. \"Transparency\" is therefore used both as a means of looking through design as a tool of communication, research and representation, as well as a structural demand set by the competition. The design artifact navigates the design process towards the formulation of a specific proposal answering the primary demands; nevertheless in the research the focus is given on the experience of processing the design problem. Structured in a series of episodes, the design diary that follows, incorporates the research into a series of manifested notes on the issue of architectural conception. Diagrams and drawings representing several stages of the design evolution, are combined with the manifested theoretical points, and arguments in the form of parallel stories.","abstract_html":"An exploratory design project is used as a vehicle to understand and identify approaches towards the notion of "place" and more precisely "visiting a place". The inquiry begins from the design challenge of an architectural competition for the design of a visitors' center in Sydney Australia. The international design competition set by AlA, ASCA and DuPont Glass Industry, is asking for a building, addressed to visitors of Sydney, that represents the "Australian culture" and can provide general information on ways to explore the continent. The design exploration navigates through several descriptions and approaches, on the city and the continent, conducted by a variety of intellectuals, writers, reporters, and Architects. The hints collected, enrich the design diary, and formulate the design process. "Transparency" is therefore used both as a means of looking through design as a tool of communication, research and representation, as well as a structural demand set by the competition. The design artifact navigates the design process towards the formulation of a specific proposal answering the primary demands; nevertheless in the research the focus is given on the experience of processing the design problem. Structured in a series of episodes, the design diary that follows, incorporates the research into a series of manifested notes on the issue of architectural conception. Diagrams and drawings representing several stages of the design evolution, are combined with the manifested theoretical points, and arguments in the form of parallel stories.","abstract_has_math":false,"creators":["Kourvaras, Vassilios"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture","school":null,"contributors":[],"advisors":["William Lyman Porter."],"committee_chairs":[],"committee_members":[],"year":1996,"date_issued":"1996","date_published":"1996","updated_at":"2026-07-22T22:21:56Z","subjects":["Architecture"],"languages":["eng"],"rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. 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