Jazz, improvisation, and streetscapes : guidelines for in-fill development

How can we design in-fill buildings that are frankly new and dynamic, yet respectful and engaging of the context of the streetscape? Improvisational jazz is a form of music whose practitioners seek to integrate the familiar and the novel into a unified composition. Certain practices guide performers in achieving these dynamic syntheses of new and old. These practices may provide fresh insights into achieving such a synthesis in the streetscape. This thesis examines the elements, composition, and practices of improvisational jazz for potential application to the compositions of streetscapes, specifically the design of in-fill buildings. It analyzes analogous elements, composition, and practices in the design of the building facades, tests these ideas in an analysis of two case studies, and makes recommendations for urban design.

Department dc:contributor.department

Massachusetts Institute of Technology. Dept. of Urban Studies and Planning.

Grantor dc:publisher

Massachusetts Institute of Technology

Year dc:date.issued

2001

Author dc:creator

• Jones, Timothy Germain, 1973-

Advisor dc:contributor.advisor

• Anne Whiston Spirn.

• Urban Studies and Planning.
• Architecture.

Statement dc:rights

• M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.

Licence dc:rights.uri

• http://dspace.mit.edu/handle/1721.1/7582

Language dc:language.iso

eng

Handle dc:identifier.uri

http://hdl.handle.net/1721.1/67547

OAI identifier oai:identifier

oai:dspace.mit.edu:1721.1/67547