{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/58466"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/58466","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Syncwalk : a framework for locative audio composition","abstract":"The way we perceive everyday space-a room, a building, a city-is informed not just by our immediate sensory input: culture, history, and other contextual cues complete our experience. With the advent of sensor-rich, highly-connected objects, our ability to interpret and refine these contextual elements, and therefore our experience of space, grows ever sharper. Location-aware sound art has the potential to apply this new technology in groundbreaking ways, but at present such work is hampered by the lack of a widely-accessible composition platform. In this work, I survey prominent works in the locative-sound art field and propose a scale-independent software framework for composing sound in space. As a proof-of-concept and to encourage further dialogue, I use this framework to create a large-scale participatory project that will allow anyone to sound-design his or her neighborhood space.","abstract_html":"The way we perceive everyday space-a room, a building, a city-is informed not just by our immediate sensory input: culture, history, and other contextual cues complete our experience. With the advent of sensor-rich, highly-connected objects, our ability to interpret and refine these contextual elements, and therefore our experience of space, grows ever sharper. Location-aware sound art has the potential to apply this new technology in groundbreaking ways, but at present such work is hampered by the lack of a widely-accessible composition platform. 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