{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/43841"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/43841","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Pulling back the curtain : revealing the production of performance in the Hawaiian Islands","abstract":"Harbors throughout the Hawaiian Islands serve as the dating a growing commercial cruise ship industry, foreign activity. They are also increasingly sites of controversy structures restrict local access and use of harbor areas man scale. This thesis proposes a platform for performance that ... floating and traveling between the four major Hawaiian Islands within multiple sites, accommodating public frames industrial harbor activity rather than staging no Hawaii's (neo)-colonial grand narrative as a sexualized as an instrument to reflect the relationship between pr den mechanics of calculated and market-oriented production and the outward appearance of contrived reality. Relationships between audience, stage, and performer shift to reveal the production of the performance, and reinsert the audience as a part of the theatrical experience. The architecture is a stage set for the performance that is not limited to a fixed stage but happens throughout the venue as localized spectacle.","abstract_html":"Harbors throughout the Hawaiian Islands serve as the dating a growing commercial cruise ship industry, foreign activity. They are also increasingly sites of controversy structures restrict local access and use of harbor areas man scale. This thesis proposes a platform for performance that ... floating and traveling between the four major Hawaiian Islands within multiple sites, accommodating public frames industrial harbor activity rather than staging no Hawaii's (neo)-colonial grand narrative as a sexualized as an instrument to reflect the relationship between pr den mechanics of calculated and market-oriented production and the outward appearance of contrived reality. Relationships between audience, stage, and performer shift to reveal the production of the performance, and reinsert the audience as a part of the theatrical experience. The architecture is a stage set for the performance that is not limited to a fixed stage but happens throughout the venue as localized spectacle.","abstract_has_math":false,"creators":["Hsu, Stephanie (Stephine I.)"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture.","school":null,"contributors":[],"advisors":["Shun Kanda and J. Meejin Yoon."],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008","date_published":"2008","updated_at":"2026-07-22T22:21:00Z","subjects":["Architecture."],"languages":["eng"],"rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. 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They are also increasingly sites of controversy structures restrict local access and use of harbor areas man scale. This thesis proposes a platform for performance that ... floating and traveling between the four major Hawaiian Islands within multiple sites, accommodating public frames industrial harbor activity rather than staging no Hawaii's (neo)-colonial grand narrative as a sexualized as an instrument to reflect the relationship between pr den mechanics of calculated and market-oriented production and the outward appearance of contrived reality. Relationships between audience, stage, and performer shift to reveal the production of the performance, and reinsert the audience as a part of the theatrical experience. 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