{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/42079"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/42079","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Pastiche as technique : inside an American palace","abstract":"This thesis investigates the potential of opportunistic borrowing and blatant reference -- a postmodern approach pioneered by architects like Michael Graves, Robert Venturi and Charles Jencks -- through a renovation that reinstates a movie palace into a 99 cent store in Williamsburg Brooklyn. Instead of concentrating on the facade like postmodern architecture of the past, however, this thesis turns these techniques inward, as a way of designing the interior of the building; using an aesthetic which encourages nostalgia, that, through historical reference, can endear a design to a community, mitigate programmatic dischord, and provide unusual formal qualities. To find this nostalgic beauty, this thesis will revisit antique typologies like that of the movie palace and nickelodeon, out-dated architectural techniques like poche and pastiche, and forgotten forms of ornament. Iconography and ornamentation, rather than being mere decoration, form a membrane which acts as a cultural interface to site the building in a strong, diverse, and ultimately stubborn community.","abstract_html":"This thesis investigates the potential of opportunistic borrowing and blatant reference -- a postmodern approach pioneered by architects like Michael Graves, Robert Venturi and Charles Jencks -- through a renovation that reinstates a movie palace into a 99 cent store in Williamsburg Brooklyn. Instead of concentrating on the facade like postmodern architecture of the past, however, this thesis turns these techniques inward, as a way of designing the interior of the building; using an aesthetic which encourages nostalgia, that, through historical reference, can endear a design to a community, mitigate programmatic dischord, and provide unusual formal qualities. To find this nostalgic beauty, this thesis will revisit antique typologies like that of the movie palace and nickelodeon, out-dated architectural techniques like poche and pastiche, and forgotten forms of ornament. Iconography and ornamentation, rather than being mere decoration, form a membrane which acts as a cultural interface to site the building in a strong, diverse, and ultimately stubborn community.","abstract_has_math":false,"creators":["Snavely, John Alan"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture.","school":null,"contributors":[],"advisors":["J. Meejin Yoon."],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008","date_published":"2008","updated_at":"2026-07-22T22:22:07Z","subjects":["Architecture."],"languages":["eng"],"rights":["M.I.T. theses are protected by copyright. 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