{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/41761"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/41761","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Shanghai contemporary : the politics of built form","abstract":"This thesis is an attempt to integrate research, architectural knowledge, and fieldwork to understand the phenomenon of the urban transformation in Shanghai, one of the fastest growing cities in the world. Having once been a lucrative treaty port city, Shanghai has re-embarked on the mission to become an economic global city through a combination of assimilated industrialized cityscape and the startling industriousness of Chinese pragmatism from 1980 onwards. Driven by the momentum of free-market capitalism within the politics of a state-controlled quasi-communist socialist entity, Shanghai's built form and environment have been conceived as a cultural construction of the conspicuous consumption of global financial marketing and of ostentatious expenditure of the elite. Nostalgic hearkening back to the glory days of foreign occupation does not adequately explain the phenomenon that exists today. Central to the aim of this thesis are the questions on how the global market was utilized, what internal and external forces were at play, and the importance given to the perception of values. By critically examining the history of the city's planning process and the reality of its urbanism, this thesis outlines the city's pragmatic developments dominated largely by its politics. The New Shanghai is a production of image, as it has always been the facade of China by virtue of its strategic location for international trade. The mediation between the representational built form, through politics, and the internal social transformations, by means of its soft cultural infrastructure, has created a cosmopolitanism unlike anything else in the world.","abstract_html":"This thesis is an attempt to integrate research, architectural knowledge, and fieldwork to understand the phenomenon of the urban transformation in Shanghai, one of the fastest growing cities in the world. Having once been a lucrative treaty port city, Shanghai has re-embarked on the mission to become an economic global city through a combination of assimilated industrialized cityscape and the startling industriousness of Chinese pragmatism from 1980 onwards. Driven by the momentum of free-market capitalism within the politics of a state-controlled quasi-communist socialist entity, Shanghai's built form and environment have been conceived as a cultural construction of the conspicuous consumption of global financial marketing and of ostentatious expenditure of the elite. Nostalgic hearkening back to the glory days of foreign occupation does not adequately explain the phenomenon that exists today. Central to the aim of this thesis are the questions on how the global market was utilized, what internal and external forces were at play, and the importance given to the perception of values. By critically examining the history of the city's planning process and the reality of its urbanism, this thesis outlines the city's pragmatic developments dominated largely by its politics. The New Shanghai is a production of image, as it has always been the facade of China by virtue of its strategic location for international trade. The mediation between the representational built form, through politics, and the internal social transformations, by means of its soft cultural infrastructure, has created a cosmopolitanism unlike anything else in the world.","abstract_has_math":false,"creators":["Arkaraprasertkul, Non"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture.","school":null,"contributors":[],"advisors":["Stanford Anderson and Yung Ho Chang."],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007","date_published":"2007","updated_at":"2026-07-22T22:20:50Z","subjects":["Architecture."],"languages":["eng"],"rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"rights_urls":["http://dspace.mit.edu/handle/1721.1/7582"],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1721.1/41761","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Stanford Anderson and Yung Ho Chang."]},{"key":"dc:contributor.department","label":"Department","values":["Massachusetts Institute of Technology. Dept. of Architecture."]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["Massachusetts Institute of Technology. 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Having once been a lucrative treaty port city, Shanghai has re-embarked on the mission to become an economic global city through a combination of assimilated industrialized cityscape and the startling industriousness of Chinese pragmatism from 1980 onwards. Driven by the momentum of free-market capitalism within the politics of a state-controlled quasi-communist socialist entity, Shanghai's built form and environment have been conceived as a cultural construction of the conspicuous consumption of global financial marketing and of ostentatious expenditure of the elite. Nostalgic hearkening back to the glory days of foreign occupation does not adequately explain the phenomenon that exists today. Central to the aim of this thesis are the questions on how the global market was utilized, what internal and external forces were at play, and the importance given to the perception of values. 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Driven by the momentum of free-market capitalism within the politics of a state-controlled quasi-communist socialist entity, Shanghai's built form and environment have been conceived as a cultural construction of the conspicuous consumption of global financial marketing and of ostentatious expenditure of the elite. Nostalgic hearkening back to the glory days of foreign occupation does not adequately explain the phenomenon that exists today. Central to the aim of this thesis are the questions on how the global market was utilized, what internal and external forces were at play, and the importance given to the perception of values. By critically examining the history of the city's planning process and the reality of its urbanism, this thesis outlines the city's pragmatic developments dominated largely by its politics. The New Shanghai is a production of image, as it has always been the facade of China by virtue of its strategic location for international trade. 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