{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/27031"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/27031","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Play and tolerance : notions of looseness in social and material assemblages","abstract":"The material scenario provides the most illustrative of entry points into this collection of evidence embodying the difference between play and tolerance. In a material assemblage, the looseness in a joint (expansion, pin, etc.) allows the assemblage to respond to dynamic loads such as wind and heat. Without this play, the construction becomes brittle, unable to flex under the concrete conditions of its situation. The looseness in this sense is productive. Tolerance, in the manufacturing of components, begins with a diagram (engineering specifications) and the looseness in its production, the difference between the diagram and actual, is derogatory. This thesis uses play and tolerance as points of departure and return, organizing a collection of evidence that frames technology, aesthetics, social organizations, systems of control and analysis as a way to illustrate and dramatize the effects of these different attitudes towards looseness, attempting to find places for play in the city in hopes of identifying potential for an urbanity outside the paradigm of compliance.","abstract_html":"The material scenario provides the most illustrative of entry points into this collection of evidence embodying the difference between play and tolerance. In a material assemblage, the looseness in a joint (expansion, pin, etc.) allows the assemblage to respond to dynamic loads such as wind and heat. Without this play, the construction becomes brittle, unable to flex under the concrete conditions of its situation. The looseness in this sense is productive. Tolerance, in the manufacturing of components, begins with a diagram (engineering specifications) and the looseness in its production, the difference between the diagram and actual, is derogatory. This thesis uses play and tolerance as points of departure and return, organizing a collection of evidence that frames technology, aesthetics, social organizations, systems of control and analysis as a way to illustrate and dramatize the effects of these different attitudes towards looseness, attempting to find places for play in the city in hopes of identifying potential for an urbanity outside the paradigm of compliance.","abstract_has_math":false,"creators":["Voorhees, Jeremy, 1978-"],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. Dept. of Architecture.","school":null,"contributors":[],"advisors":["Julian Beinart."],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004","date_published":"2004","updated_at":"2026-07-22T22:22:15Z","subjects":["Architecture."],"languages":["en_US"],"rights":["M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission."],"rights_urls":["http://dspace.mit.edu/handle/1721.1/7582"],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1721.1/27031","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Julian Beinart."]},{"key":"dc:contributor.department","label":"Department","values":["Massachusetts Institute of Technology. Dept. of Architecture."]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["Massachusetts Institute of Technology. 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In a material assemblage, the looseness in a joint (expansion, pin, etc.) allows the assemblage to respond to dynamic loads such as wind and heat. Without this play, the construction becomes brittle, unable to flex under the concrete conditions of its situation. The looseness in this sense is productive. Tolerance, in the manufacturing of components, begins with a diagram (engineering specifications) and the looseness in its production, the difference between the diagram and actual, is derogatory. This thesis uses play and tolerance as points of departure and return, organizing a collection of evidence that frames technology, aesthetics, social organizations, systems of control and analysis as a way to illustrate and dramatize the effects of these different attitudes towards looseness, attempting to find places for play in the city in hopes of identifying potential for an urbanity outside the paradigm of compliance."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["S.M."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Play and tolerance : notions of looseness in social and material assemblages"]}]}],"canonical_facts":{"dc:contributor.advisor":["Julian Beinart."],"dc:contributor.department":["Massachusetts Institute of Technology. Dept. of Architecture."],"dc:contributor.other":["Massachusetts Institute of Technology. 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Tolerance, in the manufacturing of components, begins with a diagram (engineering specifications) and the looseness in its production, the difference between the diagram and actual, is derogatory. This thesis uses play and tolerance as points of departure and return, organizing a collection of evidence that frames technology, aesthetics, social organizations, systems of control and analysis as a way to illustrate and dramatize the effects of these different attitudes towards looseness, attempting to find places for play in the city in hopes of identifying potential for an urbanity outside the paradigm of compliance."],"dc:description.degree":["S.M."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["http://hdl.handle.net/1721.1/27031"],"dc:language.iso":["en_US"],"dc:publisher":["Massachusetts Institute of Technology"],"dc:rights":["M.I.T. theses are protected by copyright. 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