{"id":{"repo_id":"mit","oai_identifier":"oai:dspace.mit.edu:1721.1/123606"},"canonical_url":"https://search.dev.ndltd.org/etd/mit/oai:dspace.mit.edu:1721.1/123606","repository":{"repo_id":"mit","name":"MIT","base_url":"https://dspace.mit.edu/oai/request"},"display":{"title":"Of pigeons, and mud, and streets, and clouds","abstract":"Attending to nonhumans--the innumerable trees, rats, cows, copper, smog, clouds, bricks, oil, shade, doors, speed bumps, and others who must be omitted for the requisite brevity of an 'abstract'--orients the ecological problem per our everyday epistemology: how we relate with the world. In this domain, architecture, fundamentally an environmental medium, may operate as a fulcrum, shifting how we situate ourselves within the world.Yet, before we can design in such a way, we must first learn to witness the agency of nonhumans, a shift which demands expanded practices of attention and representation. This thesis focuses on a technique of mediated observation-simultaneously filmic, sonic, and textual-promoting an awareness of the multiple dimensions through which nonhumans constitute collectives. Playing upon the ubiquity of mobile devices, these techniques are brought together in the form of a smart phone application that prompts users to redirect their attention to the multitude of entities active around them. Participants' responses aggregate as a database of relational anecdotes, which is then choreographed into a series of episodic representations. Forgoing the human monopoly over the fabrication of worlds, these seek to foster an aesthetic \"contact zone\" whereby the agency of nonhumans is foregrounded. De-centering, yet not negating, the human.","abstract_html":"Attending to nonhumans--the innumerable trees, rats, cows, copper, smog, clouds, bricks, oil, shade, doors, speed bumps, and others who must be omitted for the requisite brevity of an 'abstract'--orients the ecological problem per our everyday epistemology: how we relate with the world. In this domain, architecture, fundamentally an environmental medium, may operate as a fulcrum, shifting how we situate ourselves within the world.Yet, before we can design in such a way, we must first learn to witness the agency of nonhumans, a shift which demands expanded practices of attention and representation. This thesis focuses on a technique of mediated observation-simultaneously filmic, sonic, and textual-promoting an awareness of the multiple dimensions through which nonhumans constitute collectives. Playing upon the ubiquity of mobile devices, these techniques are brought together in the form of a smart phone application that prompts users to redirect their attention to the multitude of entities active around them. Participants' responses aggregate as a database of relational anecdotes, which is then choreographed into a series of episodic representations. Forgoing the human monopoly over the fabrication of worlds, these seek to foster an aesthetic "contact zone" whereby the agency of nonhumans is foregrounded. De-centering, yet not negating, the human.","abstract_has_math":false,"creators":["Weaver, Christopher Allen."],"institution":"Massachusetts Institute of Technology","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":"Massachusetts Institute of Technology. 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This thesis focuses on a technique of mediated observation-simultaneously filmic, sonic, and textual-promoting an awareness of the multiple dimensions through which nonhumans constitute collectives. Playing upon the ubiquity of mobile devices, these techniques are brought together in the form of a smart phone application that prompts users to redirect their attention to the multitude of entities active around them. Participants' responses aggregate as a database of relational anecdotes, which is then choreographed into a series of episodic representations. Forgoing the human monopoly over the fabrication of worlds, these seek to foster an aesthetic \"contact zone\" whereby the agency of nonhumans is foregrounded. 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