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University of Missouri--Columbia

The anatomy theater

Abstract

dc:description.abstract

[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI-COLUMBIA AT AUTHOR'S REQUEST.] During the Renaissance, anatomical theaters cropped up in cities all over Europe, anatomists performed dissections open to the general public, and they circulated illustrations which had a remarkable resemblance to the pornography of the period. I wrote the first section of The Anatomy Theater in response to these images, hoping to enter the images from multiple perspectives, aligning the poems' voices variously, with the anatomist, the artist, the viewer, or the dissected. The illustrations are complex, contradictory and stirring, because the issues they touch on are so central to us: death, salvation, decomposition, transience, gender, love, healing, sexuality, violence, knowledge, science, power and beauty, to name those that come to mind. As the book progressed, and I left the Renaissance anatomists, the subjects of poems in the subsequent three sections of the book varied widely, from issues of my own health, to meditations on paintings from different time periods, to poems imagining the death of Renaissance poet, John Donne. I found, nonetheless, that similar preoccupations rose through the poems, issues of how, through various practices, we glean information of the body. I think of the book's title, The Anatomy Theater, as pointing not only, as it does in the first section, to the literal site of Renaissance anatomical learning, but also to the many anatomical theaters: the many theaters of the body, those structures of thought -- religious, artistic, medical -- through which we understand the body.

Degree

thesis:*
Name thesis:degree_name
Ph. D.
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
English (MU)
Grantor dc:publisher
University of Missouri--Columbia
Year dc:date.issued
2007

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Meyer, Nadine Sabra
Advisor dc:contributor.advisor
  • McMahon, Lynne

Rights

dc:rights
Statement dc:rights
  • Access to files is limited to the University of Missouri--Columbia with SSO login.
Language dc:language.iso
eng, English

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:mospace.umsystem.edu:10355/5950

Chain of custody

source
Harvested from
University of Missouri
Base URL
mospace.umsystem.edu/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Meyer, Nadine Sabra. The anatomy theater. Doctoral thesis, University of Missouri--Columbia, 2007. https://hdl.handle.net/10355/5950