{"id":{"repo_id":"missouri","oai_identifier":"oai:mospace.umsystem.edu:10355/4417"},"canonical_url":"https://search.dev.ndltd.org/etd/missouri/oai:mospace.umsystem.edu:10355/4417","repository":{"repo_id":"missouri","name":"University of Missouri","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"The cult of Rodin : words, photographs, and colonial history in the spread of Auguste Rodin's reputation in northeast Asia","abstract":"This dissertation explores the growth of Auguste Rodin's phenomenal acclaim in Northeast Asia, where he was introduced in the early 20th century, when China, Japan, and Korea were undergoing social, political, and cultural turmoil caused by colonial intrusions of the West, and became established largely through pictures and textual accounts before actual works by the sculptor were exhibited. By carefully examining printed materials circulated in the three countries from the early 1900s to the first Rodin exhibition in Japan, Korea, and China held in 1966, 1985, and 1993, respectively, this study argues that wide dissemination of images and written accounts of the sculptor's works, fueled by each country's urge to emulate the culture of the West, created a powerful version of the Rodin myth in the Far East.","abstract_html":"This dissertation explores the growth of Auguste Rodin's phenomenal acclaim in Northeast Asia, where he was introduced in the early 20th century, when China, Japan, and Korea were undergoing social, political, and cultural turmoil caused by colonial intrusions of the West, and became established largely through pictures and textual accounts before actual works by the sculptor were exhibited. By carefully examining printed materials circulated in the three countries from the early 1900s to the first Rodin exhibition in Japan, Korea, and China held in 1966, 1985, and 1993, respectively, this study argues that wide dissemination of images and written accounts of the sculptor's works, fueled by each country's urge to emulate the culture of the West, created a powerful version of the Rodin myth in the Far East.","abstract_has_math":false,"creators":["Lee, Hyewon, 1961-"],"institution":"University of Missouri--Columbia","degree_name":"Ph. 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No reproduction of photographs available due to copyright issues.","Thesis (Ph. D.) University of Missouri-Columbia 2006."]},{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation explores the growth of Auguste Rodin's phenomenal acclaim in Northeast Asia, where he was introduced in the early 20th century, when China, Japan, and Korea were undergoing social, political, and cultural turmoil caused by colonial intrusions of the West, and became established largely through pictures and textual accounts before actual works by the sculptor were exhibited. By carefully examining printed materials circulated in the three countries from the early 1900s to the first Rodin exhibition in Japan, Korea, and China held in 1966, 1985, and 1993, respectively, this study argues that wide dissemination of images and written accounts of the sculptor's works, fueled by each country's urge to emulate the culture of the West, created a powerful version of the Rodin myth in the Far East."]},{"key":"dc:source","label":"Dc Source","values":["Submitted by University of Missouri--Columbia Graduate School."]},{"key":"dc:title","label":"Title","values":["The cult of Rodin : words, photographs, and colonial history in the spread of Auguste Rodin's reputation in northeast Asia"]}]}],"canonical_facts":{"dc:contributor.advisor":["Klein, John, 1953-"],"dc:creator":["Lee, Hyewon, 1961-"],"dc:date.accessioned":["2010-01-12T17:06:48Z"],"dc:date.available":["2010-01-12T17:06:48Z"],"dc:date.issued":["2006"],"dc:description":["The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file.","Title from title screen of research.pdf file (viewed on August 31, 2007)","Vita.","Leaves 196-242 are blank. No reproduction of photographs available due to copyright issues.","Thesis (Ph. D.) University of Missouri-Columbia 2006."],"dc:description.abstract":["This dissertation explores the growth of Auguste Rodin's phenomenal acclaim in Northeast Asia, where he was introduced in the early 20th century, when China, Japan, and Korea were undergoing social, political, and cultural turmoil caused by colonial intrusions of the West, and became established largely through pictures and textual accounts before actual works by the sculptor were exhibited. By carefully examining printed materials circulated in the three countries from the early 1900s to the first Rodin exhibition in Japan, Korea, and China held in 1966, 1985, and 1993, respectively, this study argues that wide dissemination of images and written accounts of the sculptor's works, fueled by each country's urge to emulate the culture of the West, created a powerful version of the Rodin myth in the Far East."],"dc:identifier.doi":["https://doi.org/10.32469/10355/4417"],"dc:identifier.uri":["https://hdl.handle.net/10355/4417"],"dc:language":["English"],"dc:language.iso":["eng"],"dc:publisher":["University of Missouri--Columbia"],"dc:rights":["OpenAccess."],"dc:source":["Submitted by University of Missouri--Columbia Graduate School."],"dc:title":["The cult of Rodin : words, photographs, and colonial history in the spread of Auguste Rodin's reputation in northeast Asia"],"dc:type":["Thesis"],"thesis:degree_discipline":["Art history and archaeology (MU)"],"thesis:degree_level":["Doctoral"],"thesis:degree_name":["Ph. 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