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University of Missouri--Columbia

The mediated myth of rock and roll

Abstract

dc:description.abstract

This study deconstructs the cultural myth (Barthes, 1957) of rock and roll as constructed by television and film (forms) and negotiated through musicians' experiences and personal understandings (concepts). It does so through textual analyses of five films and eight televisual forms and forty-one in-depth interviews with a maximum variation sample of rock and roll musicians to examine how individuals negotiated concepts about the rock and roll myth. The myth of rock and roll is simultaneously simple and complex, discussed openly and mired in code, and contains both surface level and deep structures. It is at once a rejection of American capitalism through its insistence on the existence "pure" rock and roll outside of industry while being the very embodiment of it through its meritocratic and agentic views of rock and roll success, where the best product sells the most records. The myth of rock and roll contains promises of openness and equality to "anyone" who wishes to "do it" while disguising "averageness" as white, male, and heterosexual. As with the function of all myths, each of these dualistic statements contains a degree of truth to allow its circulation throughout culture (Dyer, 1982). However, musicians negotiate what constitutes "truth" through the lens of the myth throughout the various stages of their careers. Additionally, the cultural forms and individual concepts of rock and roll are not inherently good or bad, or true or false, rather, they serve different cultural and individual functions, which this study critically examines.

Degree

thesis:*
Name thesis:degree_name
Ph. D.
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Communication (MU)
Grantor dc:publisher
University of Missouri--Columbia
Year dc:date.issued
2013

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Walus, Scott M., 1982-
Advisor dc:contributor.advisor
  • Click, Melissa A., 1971-

Subjects

dc:subject × 4

Rights

dc:rights
Statement dc:rights
  • OpenAccess.
Language dc:language.iso
eng, English

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:mospace.umsystem.edu:10355/37822

Chain of custody

source
Harvested from
University of Missouri
Base URL
mospace.umsystem.edu/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Walus, Scott M., 1982-. The mediated myth of rock and roll. Doctoral thesis, University of Missouri--Columbia, 2013. https://hdl.handle.net/10355/37822