{"id":{"repo_id":"missouri","oai_identifier":"oai:mospace.umsystem.edu:10355/33124"},"canonical_url":"https://search.dev.ndltd.org/etd/missouri/oai:mospace.umsystem.edu:10355/33124","repository":{"repo_id":"missouri","name":"University of Missouri","base_url":"https://mospace.umsystem.edu/oai/request"},"display":{"title":"Faking it : the seduction of surface","abstract":"This creative research conflates three of my personal obsessions -- the French Rococo, television, and craft materials -- and culminates with a collection of wearable sculptures that satirize the often-ostentatious masquerade of American mating rituals. Channeling a carnivalesque Rococo spirit, I parody gender stereotypes and behavioral posturing through a series of lavishly adorned, latex-infused costumes; temporary \"second skins\" of illusive identity one might don to entice a lover. Such transformative sexual strategies are often engrained into our biological makeup and cultural psyche, becoming amplified and exalted through the distorted lens of visual media sources, particularly via the celebrity culture of unscripted \"reality\" television. Ornamenting the titillating forms with stereotypical materials gleaned from popular culture and art history, my work takes a critical but arousing peek at the superficial American social landscape and its effects on sexual personae. In a world that values casual, affordable comforts, this work offers some uncomfortable tension as viewers consider what they \"buy into\" and \"fake\" in order to mask their own insecurities and seduce a mate. In this project I present a humorous portrait of an insecure society obsessed with surface relationships and dedicated to \"making it\" through Faking It.","abstract_html":"This creative research conflates three of my personal obsessions -- the French Rococo, television, and craft materials -- and culminates with a collection of wearable sculptures that satirize the often-ostentatious masquerade of American mating rituals. Channeling a carnivalesque Rococo spirit, I parody gender stereotypes and behavioral posturing through a series of lavishly adorned, latex-infused costumes; temporary &quot;second skins&quot; of illusive identity one might don to entice a lover. Such transformative sexual strategies are often engrained into our biological makeup and cultural psyche, becoming amplified and exalted through the distorted lens of visual media sources, particularly via the celebrity culture of unscripted &quot;reality&quot; television. Ornamenting the titillating forms with stereotypical materials gleaned from popular culture and art history, my work takes a critical but arousing peek at the superficial American social landscape and its effects on sexual personae. In a world that values casual, affordable comforts, this work offers some uncomfortable tension as viewers consider what they &quot;buy into&quot; and &quot;fake&quot; in order to mask their own insecurities and seduce a mate. In this project I present a humorous portrait of an insecure society obsessed with surface relationships and dedicated to &quot;making it&quot; through Faking It.","abstract_has_math":false,"creators":["Armbrust, Catherine"],"institution":"University of Missouri--Columbia","degree_name":"M.F.A.","degree_level":"Masters","degree_discipline":"Art (MU)","degree_department":null,"school":null,"contributors":[],"advisors":["Stealey, Josephine M."],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012","date_published":"2012","updated_at":"2026-07-24T03:08:20Z","subjects":["gender stereotypes","behavioral posturing","social landscape"],"languages":["eng","English"],"rights":["OpenAccess."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10355/33124","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Stealey, Josephine M."]},{"key":"dc:creator","label":"Author","values":["Armbrust, Catherine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2013-03-06T18:58:03Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2013-03-06T18:58:03Z"]},{"key":"dc:date.issued","label":"Date","values":["2012"]},{"key":"dc:publisher","label":"Institution","values":["University of Missouri--Columbia"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art (MU)"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Missouri--Columbia"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["gender stereotypes","behavioral posturing","social landscape"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["OpenAccess."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10355/33124"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Title from PDF of title page (University of Missouri--Columbia, viewed on March 6, 2013).","The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file.","Thesis advisor: Dr. Josephine Stealey","Includes bibliographical references.","M.F.A. 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Ornamenting the titillating forms with stereotypical materials gleaned from popular culture and art history, my work takes a critical but arousing peek at the superficial American social landscape and its effects on sexual personae. In a world that values casual, affordable comforts, this work offers some uncomfortable tension as viewers consider what they \"buy into\" and \"fake\" in order to mask their own insecurities and seduce a mate. In this project I present a humorous portrait of an insecure society obsessed with surface relationships and dedicated to \"making it\" through Faking It."]},{"key":"dc:source","label":"Dc Source","values":["Submitted by University of Missouri--Columbia Graduate School."]},{"key":"dc:title","label":"Title","values":["Faking it : the seduction of surface"]}]}],"canonical_facts":{"dc:contributor.advisor":["Stealey, Josephine M."],"dc:creator":["Armbrust, Catherine"],"dc:date.accessioned":["2013-03-06T18:58:03Z"],"dc:date.available":["2013-03-06T18:58:03Z"],"dc:date.issued":["2012"],"dc:description":["Title from PDF of title page (University of Missouri--Columbia, viewed on March 6, 2013).","The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file.","Thesis advisor: Dr. Josephine Stealey","Includes bibliographical references.","M.F.A. 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Ornamenting the titillating forms with stereotypical materials gleaned from popular culture and art history, my work takes a critical but arousing peek at the superficial American social landscape and its effects on sexual personae. In a world that values casual, affordable comforts, this work offers some uncomfortable tension as viewers consider what they \"buy into\" and \"fake\" in order to mask their own insecurities and seduce a mate. 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