{"id":{"repo_id":"mississippi","oai_identifier":"oai:egrove.olemiss.edu:etd-2255"},"canonical_url":"https://search.dev.ndltd.org/etd/mississippi/oai:egrove.olemiss.edu:etd-2255","repository":{"repo_id":"mississippi","name":"University of Mississippi","base_url":"https://egrove.olemiss.edu/do/oai/"},"display":{"title":"Lucy Negro, Redux","abstract":"Lucy Negro, Redux is a collection of poetry that uses the lens of Shakespeare's \"Dark Lady\" sonnets to explore the way questions about and desire for the black female body have evolved over time, from Elizabethan England to the Jim Crow South to the present day. Research for the collection began with the discovery in early 2012 of a connection between the historical Elizabethan figure Black Luce--a notorious brothel owner--and William Shakespeare, by Professor Duncan Salkeld of the University of Chichester. A grant from the University of Mississippi yielded an opportunity for on-site research with Dr. Salkeld in order to explore Bridewell Prison records, now held in the Bethlem Hospital Archives in England. Galvanized by that research, the work evolved into a collection that experiments with form, dialect, the adoption of historical personas, and the very voices these personas project.","abstract_html":"Lucy Negro, Redux is a collection of poetry that uses the lens of Shakespeare's "Dark Lady" sonnets to explore the way questions about and desire for the black female body have evolved over time, from Elizabethan England to the Jim Crow South to the present day. Research for the collection began with the discovery in early 2012 of a connection between the historical Elizabethan figure Black Luce--a notorious brothel owner--and William Shakespeare, by Professor Duncan Salkeld of the University of Chichester. A grant from the University of Mississippi yielded an opportunity for on-site research with Dr. Salkeld in order to explore Bridewell Prison records, now held in the Bethlem Hospital Archives in England. Galvanized by that research, the work evolved into a collection that experiments with form, dialect, the adoption of historical personas, and the very voices these personas project.","abstract_has_math":false,"creators":["Williams, Caroline Randall"],"institution":null,"degree_name":"M.F.A. in Creative Writing","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Derrick Harriell","Ivo Kamps","Beth Ann Fennelly"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-01-01T08:00:00Z","date_published":"2015-01-01T08:00:00Z","updated_at":"2026-07-24T03:06:30Z","subjects":["African-American","Black Studies","Identity","Sexuality","Shakespeare","Women","Creative Writing"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://egrove.olemiss.edu/etd/1256","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Derrick Harriell","Ivo Kamps","Beth Ann Fennelly"]},{"key":"dc:creator","label":"Author","values":["Williams, Caroline Randall"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2020-01-23T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A. in Creative Writing"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["African-American","Black Studies","Identity","Sexuality","Shakespeare","Women","Creative Writing"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://egrove.olemiss.edu/etd/1256"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Lucy Negro, Redux is a collection of poetry that uses the lens of Shakespeare's \"Dark Lady\" sonnets to explore the way questions about and desire for the black female body have evolved over time, from Elizabethan England to the Jim Crow South to the present day. Research for the collection began with the discovery in early 2012 of a connection between the historical Elizabethan figure Black Luce--a notorious brothel owner--and William Shakespeare, by Professor Duncan Salkeld of the University of Chichester. A grant from the University of Mississippi yielded an opportunity for on-site research with Dr. Salkeld in order to explore Bridewell Prison records, now held in the Bethlem Hospital Archives in England. Galvanized by that research, the work evolved into a collection that experiments with form, dialect, the adoption of historical personas, and the very voices these personas project."]},{"key":"dc:title","label":"Title","values":["Lucy Negro, Redux"]}]}],"canonical_facts":{"dc:contributor":["Derrick Harriell","Ivo Kamps","Beth Ann Fennelly"],"dc:creator":["Williams, Caroline Randall"],"dc:date.available":["2020-01-23T08:00:00Z"],"dc:description.abstract":["Lucy Negro, Redux is a collection of poetry that uses the lens of Shakespeare's \"Dark Lady\" sonnets to explore the way questions about and desire for the black female body have evolved over time, from Elizabethan England to the Jim Crow South to the present day. Research for the collection began with the discovery in early 2012 of a connection between the historical Elizabethan figure Black Luce--a notorious brothel owner--and William Shakespeare, by Professor Duncan Salkeld of the University of Chichester. A grant from the University of Mississippi yielded an opportunity for on-site research with Dr. Salkeld in order to explore Bridewell Prison records, now held in the Bethlem Hospital Archives in England. Galvanized by that research, the work evolved into a collection that experiments with form, dialect, the adoption of historical personas, and the very voices these personas project."],"dc:identifier":["https://egrove.olemiss.edu/etd/1256"],"dc:subject":["African-American","Black Studies","Identity","Sexuality","Shakespeare","Women","Creative Writing"],"dc:title":["Lucy Negro, Redux"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["M.F.A. in Creative Writing"]},"updated_at":"2026-07-24T03:06:30Z"}