{"id":{"repo_id":"mississippi","oai_identifier":"oai:egrove.olemiss.edu:etd-2003"},"canonical_url":"https://search.dev.ndltd.org/etd/mississippi/oai:egrove.olemiss.edu:etd-2003","repository":{"repo_id":"mississippi","name":"University of Mississippi","base_url":"https://egrove.olemiss.edu/do/oai/"},"display":{"title":"Bindweed And Fire","abstract":"Bindweed and Fire is a collection of poems in three sections. The first two sections, Drought and Watermarks, contain short metrical lyrics built around images of fire and water. Sabbath, the third section is a long free-verse poetic sequence in three voices. In ekphrastic poems rich with private symbolism, the first voice attempts to refract through the prism of visual art the relationship between a father and son. Providing a counterpoint to the first, the second voice seeks to qualify, correct, and comment on the private symbolism. The third voice tries to give a wider view of the everyday lives of parent and child, their habits, their history, and the tensions at play between them.","abstract_html":"Bindweed and Fire is a collection of poems in three sections. The first two sections, Drought and Watermarks, contain short metrical lyrics built around images of fire and water. Sabbath, the third section is a long free-verse poetic sequence in three voices. In ekphrastic poems rich with private symbolism, the first voice attempts to refract through the prism of visual art the relationship between a father and son. Providing a counterpoint to the first, the second voice seeks to qualify, correct, and comment on the private symbolism. The third voice tries to give a wider view of the everyday lives of parent and child, their habits, their history, and the tensions at play between them.","abstract_has_math":false,"creators":["Davis, Joshua Lee"],"institution":null,"degree_name":"M.F.A. in Creative Writing","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Ann Fisher-Wirth","Gary Short","Mary Hayes"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-01-01T08:00:00Z","date_published":"2012-01-01T08:00:00Z","updated_at":"2026-07-24T03:06:14Z","subjects":["Poetry"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://egrove.olemiss.edu/etd/1004","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Ann Fisher-Wirth","Gary Short","Mary Hayes"]},{"key":"dc:creator","label":"Author","values":["Davis, Joshua Lee"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-06-20T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A. in Creative Writing"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Poetry"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://egrove.olemiss.edu/etd/1004"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Bindweed and Fire is a collection of poems in three sections. The first two sections, Drought and Watermarks, contain short metrical lyrics built around images of fire and water. Sabbath, the third section is a long free-verse poetic sequence in three voices. In ekphrastic poems rich with private symbolism, the first voice attempts to refract through the prism of visual art the relationship between a father and son. Providing a counterpoint to the first, the second voice seeks to qualify, correct, and comment on the private symbolism. The third voice tries to give a wider view of the everyday lives of parent and child, their habits, their history, and the tensions at play between them."]},{"key":"dc:title","label":"Title","values":["Bindweed And Fire"]}]}],"canonical_facts":{"dc:contributor":["Ann Fisher-Wirth","Gary Short","Mary Hayes"],"dc:creator":["Davis, Joshua Lee"],"dc:date.available":["2019-06-20T07:00:00Z"],"dc:description.abstract":["Bindweed and Fire is a collection of poems in three sections. The first two sections, Drought and Watermarks, contain short metrical lyrics built around images of fire and water. Sabbath, the third section is a long free-verse poetic sequence in three voices. In ekphrastic poems rich with private symbolism, the first voice attempts to refract through the prism of visual art the relationship between a father and son. Providing a counterpoint to the first, the second voice seeks to qualify, correct, and comment on the private symbolism. The third voice tries to give a wider view of the everyday lives of parent and child, their habits, their history, and the tensions at play between them."],"dc:identifier":["https://egrove.olemiss.edu/etd/1004"],"dc:subject":["Poetry"],"dc:title":["Bindweed And Fire"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["M.F.A. in Creative Writing"]},"updated_at":"2026-07-24T03:06:14Z"}