{"id":{"repo_id":"mississippi","oai_identifier":"oai:egrove.olemiss.edu:etd-1997"},"canonical_url":"https://search.dev.ndltd.org/etd/mississippi/oai:egrove.olemiss.edu:etd-1997","repository":{"repo_id":"mississippi","name":"University of Mississippi","base_url":"https://egrove.olemiss.edu/do/oai/"},"display":{"title":"Beyond The Fields","abstract":"Abstract: \"an America that looks away is ignoring not just the sins of the past but the sins of the present and the certain sins of the future.\" Ta-Nehisi Coates my work deals with the ideas of blackness and southern culture. Born in Memphis, Tennessee on the heels of the civil rights movement, I cannot help but to be shaped by the aftermath of integration and the ideals of equality. The south is more than a geographical location; it is a cultural distinction. My life has been shaped by these cultural experiences. Inspired by family stories, my art references a lingering past and also reflects my life experiences as a black man living in the south. In Mississippi I had the opportunity to see the fields of cotton reminiscent of the stories my family often told when I was young. My granddad told of how they loaded wagons to chop cotton in the spring and pick cotton in the fall. The values of a person were based on faith, family, and work. Those ideals were constantly challenged by Jim Crow and made it difficult for blacks to realize the American dream. I feel compelled to create art that challenges socially accepted \"truths\" versus fallacy. I confront contemporary social issues influenced by its legacy of white supremacy. We still inhabit a world intolerant of the unique cultural differences we all share.","abstract_html":"Abstract: "an America that looks away is ignoring not just the sins of the past but the sins of the present and the certain sins of the future." Ta-Nehisi Coates my work deals with the ideas of blackness and southern culture. Born in Memphis, Tennessee on the heels of the civil rights movement, I cannot help but to be shaped by the aftermath of integration and the ideals of equality. The south is more than a geographical location; it is a cultural distinction. My life has been shaped by these cultural experiences. Inspired by family stories, my art references a lingering past and also reflects my life experiences as a black man living in the south. In Mississippi I had the opportunity to see the fields of cotton reminiscent of the stories my family often told when I was young. My granddad told of how they loaded wagons to chop cotton in the spring and pick cotton in the fall. The values of a person were based on faith, family, and work. Those ideals were constantly challenged by Jim Crow and made it difficult for blacks to realize the American dream. I feel compelled to create art that challenges socially accepted "truths" versus fallacy. I confront contemporary social issues influenced by its legacy of white supremacy. We still inhabit a world intolerant of the unique cultural differences we all share.","abstract_has_math":false,"creators":["Lynn, Terry Rodnell"],"institution":null,"degree_name":"M.F.A. in Art","degree_level":"Dissertation","degree_discipline":"Art and Art History","degree_department":null,"school":null,"contributors":["Philip Jackson","Josh Brinlee","Sheri Rieth"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-01-01T08:00:00Z","date_published":"2015-01-01T08:00:00Z","updated_at":"2026-07-24T03:06:14Z","subjects":["African-American","Blackness","Lynn","Post-Black","Racism","Terry","Painting"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://egrove.olemiss.edu/etd/998","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Philip Jackson","Josh Brinlee","Sheri Rieth"]},{"key":"dc:creator","label":"Author","values":["Lynn, Terry Rodnell"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-06-20T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art and Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.F.A. in Art"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["African-American","Blackness","Lynn","Post-Black","Racism","Terry","Painting"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://egrove.olemiss.edu/etd/998"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Abstract: \"an America that looks away is ignoring not just the sins of the past but the sins of the present and the certain sins of the future.\" Ta-Nehisi Coates my work deals with the ideas of blackness and southern culture. 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Inspired by family stories, my art references a lingering past and also reflects my life experiences as a black man living in the south. In Mississippi I had the opportunity to see the fields of cotton reminiscent of the stories my family often told when I was young. My granddad told of how they loaded wagons to chop cotton in the spring and pick cotton in the fall. The values of a person were based on faith, family, and work. Those ideals were constantly challenged by Jim Crow and made it difficult for blacks to realize the American dream. I feel compelled to create art that challenges socially accepted \"truths\" versus fallacy. I confront contemporary social issues influenced by its legacy of white supremacy. 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