{"id":{"repo_id":"mississippi","oai_identifier":"oai:egrove.olemiss.edu:etd-1199"},"canonical_url":"https://search.dev.ndltd.org/etd/mississippi/oai:egrove.olemiss.edu:etd-1199","repository":{"repo_id":"mississippi","name":"University of Mississippi","base_url":"https://egrove.olemiss.edu/do/oai/"},"display":{"title":"Chorister Formation Preferences in a Women's Choir","abstract":"While conductors and audience members are not committed to a single formation, choristers have a clear preference: sectional or mixed. Why is this? Participants in this study included forty-six members of an auditioned women's choir from a large southern university who completed a survey after singing in sectional and mixed formation. These SSAA results maintain previous research findings by James Daugherty, Debra Atkinson, and Christopher Aspaas, et al. from female choristers in SATB settings: most women prefer mixed formation. All 46 of the participants (100%) perceived that formation generally affects the choral sound, so they think formation is important. Women's voices also present unique concerns regarding voice distribution, pitch level, and perception. Perhaps if choir members think they are producing a better sound in a certain formation, they set themselves up to actually produce a better sound in performance.","abstract_html":"While conductors and audience members are not committed to a single formation, choristers have a clear preference: sectional or mixed. Why is this? Participants in this study included forty-six members of an auditioned women's choir from a large southern university who completed a survey after singing in sectional and mixed formation. These SSAA results maintain previous research findings by James Daugherty, Debra Atkinson, and Christopher Aspaas, et al. from female choristers in SATB settings: most women prefer mixed formation. All 46 of the participants (100%) perceived that formation generally affects the choral sound, so they think formation is important. Women's voices also present unique concerns regarding voice distribution, pitch level, and perception. Perhaps if choir members think they are producing a better sound in a certain formation, they set themselves up to actually produce a better sound in performance.","abstract_has_math":false,"creators":["Montgomery, Janna"],"institution":null,"degree_name":"M.M. in Music","degree_level":"Dissertation","degree_discipline":null,"degree_department":null,"school":null,"contributors":["Debra L. Spurgeon","Andrew Paney","Alan L. Spurgeon"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T03:05:15Z","subjects":["Choir","Chorister","Formation","Mixed","Sectional","Women's Choir","Music Education"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://egrove.olemiss.edu/etd/200","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Debra L. Spurgeon","Andrew Paney","Alan L. 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Why is this? Participants in this study included forty-six members of an auditioned women's choir from a large southern university who completed a survey after singing in sectional and mixed formation. These SSAA results maintain previous research findings by James Daugherty, Debra Atkinson, and Christopher Aspaas, et al. from female choristers in SATB settings: most women prefer mixed formation. All 46 of the participants (100%) perceived that formation generally affects the choral sound, so they think formation is important. Women's voices also present unique concerns regarding voice distribution, pitch level, and perception. Perhaps if choir members think they are producing a better sound in a certain formation, they set themselves up to actually produce a better sound in performance."]},{"key":"dc:title","label":"Title","values":["Chorister Formation Preferences in a Women's Choir"]}]}],"canonical_facts":{"dc:contributor":["Debra L. Spurgeon","Andrew Paney","Alan L. Spurgeon"],"dc:creator":["Montgomery, Janna"],"dc:date.available":["2019-01-01T08:00:00Z"],"dc:description.abstract":["While conductors and audience members are not committed to a single formation, choristers have a clear preference: sectional or mixed. Why is this? Participants in this study included forty-six members of an auditioned women's choir from a large southern university who completed a survey after singing in sectional and mixed formation. These SSAA results maintain previous research findings by James Daugherty, Debra Atkinson, and Christopher Aspaas, et al. from female choristers in SATB settings: most women prefer mixed formation. All 46 of the participants (100%) perceived that formation generally affects the choral sound, so they think formation is important. Women's voices also present unique concerns regarding voice distribution, pitch level, and perception. Perhaps if choir members think they are producing a better sound in a certain formation, they set themselves up to actually produce a better sound in performance."],"dc:identifier":["https://egrove.olemiss.edu/etd/200"],"dc:subject":["Choir","Chorister","Formation","Mixed","Sectional","Women's Choir","Music Education"],"dc:title":["Chorister Formation Preferences in a Women's Choir"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["M.M. in Music"]},"updated_at":"2026-07-24T03:05:15Z"}