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University of Mississippi

Serializing the Middle Ages: Television and the (Re)Production of Pop Culture Medievalisms

Abstract

dc:description.abstract

In his now canonical "Dreaming the Middle Ages," Umberto Eco famously quips that "it seems that people like the Middle Ages" (61). Eco's apt sentiment still strikes a resonant chord some twenty years after its publication; there is indeed something about the Middle Ages that continues to fascinate our postmodern society. One of the most tangible ways this interest manifests itself is through our media. This project explores some of the ways that representations of the medieval past function within present-day reimaginings in the media. More specifically, television's obvious visual textuality, widespread popularity, and virtually untapped scholarly potential offer an excellent medium through which to analyze pop culture medievalisms—the creative tensions that exists between medieval culture and the way it is reimagined, recreated, or reproduced in the present. By using medievalist studies of cinema as a model, I argue that many of the medievalist representations on television are similar to those found in film. At the same time, the serialized narrative structure of most television programs alters the viewer's experience of the past in a way that separates medievalist television from medievalist cinema. Incorporating the evaluative tools of medievalism studies and television narratology, this project explores the medievalisms of three narratively diverse television programs—The Pillars of the Earth (medievalist miniseries), True Blood (series with medievalist storyline), and Game of Thrones (fantastic neomedievalist series). Ultimately, these programs serve as case studies to demonstrate how the varied visual and narrative treatment of the Middle Ages on television can reveal cultural desires and anxieties about the medieval past and the postmodern present.

Degree

thesis:*
Name thesis:degree_name
M.A. in English
Level thesis:degree_level
Thesis
Year dc:date.available
2012

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Knight, Sara McClendon
Contributors dc:contributor
  • Mary Hayes
  • Gregory Heyworth
  • Deborah Barker

Subjects

dc:subject × 6

Identifiers

dc:identifier.*
Repository record dc:identifier
https://egrove.olemiss.edu/etd/170
OAI identifier oai:identifier
oai:egrove.olemiss.edu:etd-1169

Chain of custody

source
Harvested from
University of Mississippi
Base URL
egrove.olemiss.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Knight, Sara McClendon. Serializing the Middle Ages: Television and the (Re)Production of Pop Culture Medievalisms. Thesis thesis, 2012. https://egrove.olemiss.edu/etd/170