{"id":{"repo_id":"milano","oai_identifier":"oai:air.unimi.it:2434/964640"},"canonical_url":"https://search.dev.ndltd.org/etd/milano/oai:air.unimi.it:2434/964640","repository":{"repo_id":"milano","name":"Università degli Studi di Milano","base_url":"https://air.unimi.it/oai/request"},"display":{"title":"POST-2003 IRAQI FICTION: VOICE, AUDIENCES, AND NARRATIVE AUTHORITY","abstract":"Abstract The thesis addresses the non-realist trend of Iraqi fiction written after the US occupation of 2003. In particular, it focuses on the construction and characterisation of non-mimetic voices in this production. Within the frame of post-classical narratology, the thesis asks how the thematic and poetic attention to the traumas of war and migration runs parallel with the construction of narrating-‘I’s that exceed the conventional limits of first-person narration. Such overextended ‘I’s are conceived of as technical supplements, miniature narratives that complement and counterpoint the storyworld – a concept the thesis summarises with the Arabic manṭiq ‘point of articulation’. The thesis is divided into two sections. The first discusses texts in which non-fictional narrative paradigms are unsettled by the challenges of the post-war conjuncture: in particular, it addresses fantastic elaborations of the childhood story (Chapter One) and the ‘asylum story’ demanded of asylum seekers (Chapter Two). The second section is devoted to downright unnatural, anti-mimetic narrative forms. It focuses on two tropes of what has been labelled the Iraqi Gothic: the dead narrator (chapter Three), and the disembodied voice (chapter Four). The analysis of these four paradigmatic narrators of post-2003 Iraqi fiction (the child, the asylum seeker, the dead, and the abstract first-person voice) allows the thesis to address, along with narratological problems, issues relating to the ethics of narration in a traumatic context. Furthermore, the focus on voice involves a questioning of the link between narrative and experience in Iraq.","abstract_html":"Abstract The thesis addresses the non-realist trend of Iraqi fiction written after the US occupation of 2003. In particular, it focuses on the construction and characterisation of non-mimetic voices in this production. Within the frame of post-classical narratology, the thesis asks how the thematic and poetic attention to the traumas of war and migration runs parallel with the construction of narrating-‘I’s that exceed the conventional limits of first-person narration. Such overextended ‘I’s are conceived of as technical supplements, miniature narratives that complement and counterpoint the storyworld – a concept the thesis summarises with the Arabic manṭiq ‘point of articulation’. The thesis is divided into two sections. The first discusses texts in which non-fictional narrative paradigms are unsettled by the challenges of the post-war conjuncture: in particular, it addresses fantastic elaborations of the childhood story (Chapter One) and the ‘asylum story’ demanded of asylum seekers (Chapter Two). The second section is devoted to downright unnatural, anti-mimetic narrative forms. It focuses on two tropes of what has been labelled the Iraqi Gothic: the dead narrator (chapter Three), and the disembodied voice (chapter Four). The analysis of these four paradigmatic narrators of post-2003 Iraqi fiction (the child, the asylum seeker, the dead, and the abstract first-person voice) allows the thesis to address, along with narratological problems, issues relating to the ethics of narration in a traumatic context. Furthermore, the focus on voice involves a questioning of the link between narrative and experience in Iraq.","abstract_has_math":false,"creators":["POZZOLI, FEDERICO"],"institution":"Università degli Studi di Milano","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["tutor: L. Osti","F. Caiani ; coordinatrice: M. V. Calvi","F. Pozzoli","OSTI, LETIZIA","CALVI, MARIA VITTORIA ELENA"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-04-27","date_published":"2023-04-27","updated_at":"2026-07-27T20:18:51Z","subjects":["Iraqi fiction","narratology","fantastic","Iraqi Gothic","Voice","Authoriality","Settore L-OR/12 - Lingua e Letteratura Araba"],"languages":["eng"],"rights":["info:eu-repo/semantics/openAccess"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2434/964640","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["tutor: L. Osti","F. Caiani ; coordinatrice: M. V. Calvi","F. Pozzoli","OSTI, LETIZIA","CALVI, MARIA VITTORIA ELENA"]},{"key":"dc:creator","label":"Author","values":["POZZOLI, FEDERICO"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2023-04-27"]},{"key":"dc:publisher","label":"Institution","values":["Università degli Studi di Milano"]},{"key":"dc:type","label":"Dc Type","values":["info:eu-repo/semantics/doctoralThesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Iraqi fiction","narratology","fantastic","Iraqi Gothic","Voice","Authoriality","Settore L-OR/12 - Lingua e Letteratura Araba"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["info:eu-repo/semantics/openAccess"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2434/964640"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Abstract The thesis addresses the non-realist trend of Iraqi fiction written after the US occupation of 2003. In particular, it focuses on the construction and characterisation of non-mimetic voices in this production. Within the frame of post-classical narratology, the thesis asks how the thematic and poetic attention to the traumas of war and migration runs parallel with the construction of narrating-‘I’s that exceed the conventional limits of first-person narration. Such overextended ‘I’s are conceived of as technical supplements, miniature narratives that complement and counterpoint the storyworld – a concept the thesis summarises with the Arabic manṭiq ‘point of articulation’. The thesis is divided into two sections. The first discusses texts in which non-fictional narrative paradigms are unsettled by the challenges of the post-war conjuncture: in particular, it addresses fantastic elaborations of the childhood story (Chapter One) and the ‘asylum story’ demanded of asylum seekers (Chapter Two). The second section is devoted to downright unnatural, anti-mimetic narrative forms. It focuses on two tropes of what has been labelled the Iraqi Gothic: the dead narrator (chapter Three), and the disembodied voice (chapter Four). The analysis of these four paradigmatic narrators of post-2003 Iraqi fiction (the child, the asylum seeker, the dead, and the abstract first-person voice) allows the thesis to address, along with narratological problems, issues relating to the ethics of narration in a traumatic context. Furthermore, the focus on voice involves a questioning of the link between narrative and experience in Iraq."]},{"key":"dc:title","label":"Title","values":["POST-2003 IRAQI FICTION: VOICE, AUDIENCES, AND NARRATIVE AUTHORITY"]}]}],"canonical_facts":{"dc:contributor":["tutor: L. Osti","F. Caiani ; coordinatrice: M. V. Calvi","F. Pozzoli","OSTI, LETIZIA","CALVI, MARIA VITTORIA ELENA"],"dc:creator":["POZZOLI, FEDERICO"],"dc:date":["2023-04-27"],"dc:description":["Abstract The thesis addresses the non-realist trend of Iraqi fiction written after the US occupation of 2003. In particular, it focuses on the construction and characterisation of non-mimetic voices in this production. Within the frame of post-classical narratology, the thesis asks how the thematic and poetic attention to the traumas of war and migration runs parallel with the construction of narrating-‘I’s that exceed the conventional limits of first-person narration. Such overextended ‘I’s are conceived of as technical supplements, miniature narratives that complement and counterpoint the storyworld – a concept the thesis summarises with the Arabic manṭiq ‘point of articulation’. The thesis is divided into two sections. The first discusses texts in which non-fictional narrative paradigms are unsettled by the challenges of the post-war conjuncture: in particular, it addresses fantastic elaborations of the childhood story (Chapter One) and the ‘asylum story’ demanded of asylum seekers (Chapter Two). The second section is devoted to downright unnatural, anti-mimetic narrative forms. It focuses on two tropes of what has been labelled the Iraqi Gothic: the dead narrator (chapter Three), and the disembodied voice (chapter Four). The analysis of these four paradigmatic narrators of post-2003 Iraqi fiction (the child, the asylum seeker, the dead, and the abstract first-person voice) allows the thesis to address, along with narratological problems, issues relating to the ethics of narration in a traumatic context. Furthermore, the focus on voice involves a questioning of the link between narrative and experience in Iraq."],"dc:identifier":["https://hdl.handle.net/2434/964640"],"dc:language":["eng"],"dc:publisher":["Università degli Studi di Milano"],"dc:rights":["info:eu-repo/semantics/openAccess"],"dc:subject":["Iraqi fiction","narratology","fantastic","Iraqi Gothic","Voice","Authoriality","Settore L-OR/12 - Lingua e Letteratura Araba"],"dc:title":["POST-2003 IRAQI FICTION: VOICE, AUDIENCES, AND NARRATIVE AUTHORITY"],"dc:type":["info:eu-repo/semantics/doctoralThesis"]},"updated_at":"2026-07-27T20:18:51Z"}