{"id":{"repo_id":"melbourne","oai_identifier":"oai:jupiter.its.unimelb.edu.au:11343/240582"},"canonical_url":"https://search.dev.ndltd.org/etd/melbourne/oai:jupiter.its.unimelb.edu.au:11343/240582","repository":{"repo_id":"melbourne","name":"University of Melbourne","base_url":"https://minerva-access.unimelb.edu.au/server/oai/request"},"display":{"title":"Tiberiu Brediceanu's Doine şi cântece poporale româneşti and folk-inspired art song","abstract":"During the twentieth century, ethnomusicologist and composer, Tiberiu Brediceanu (1877 – 1968) was at the forefront of the development of the Romanian national school of music. Brediceanu created one of the largest collections of Romanian folksongs, assembling over two thousand melodies. In his collection Doine si cantece poporale romanesti (Doinas and other Romanian Folksongs, 1927), Brediceanu set traditional folksongs in the style of lieder, arranging eighty folksongs for voice and piano. Doine si cantece poporale romanesti is tailored to the classically cultivated voice and is one of the largest collections of Romanian art songs. The purpose of my research is to provide an interpretative guide for twenty-nine selected pieces from Brediceanu’s collection, with particular relevance for English-speaking performers. The songs were chosen to represent a range of genres, dramatic atmospheres and time periods (Brediceanu gathered the songs in Doine si cantece poporale romanesti over more than thirty years). This thesis comprises two parts: a folio of recordings constituting 75% of the thesis; and a dissertation constituting 25% of the thesis. The folio includes recordings of twenty-nine songs from Brediceanu’s Doine si cantece poporale romanesti, as well as other works by Brediceanu and his Romanian contemporaries. A context for these works is provided through further recordings of European folk-based art songs of the 19th and 20th centuries. The dissertation provides an introduction to Tiberiu Brediceanu and Romanian folk music, then explores the interpretation of each of the twenty-nine songs selected from Doine si cantece poporale romanesti, considering aspects of interpretation based upon Romanian folk-practices. This section also includes poetic translations and phonetic transliterations of each song followed by a pronunciation guide for non-Romanian singers.","abstract_html":"During the twentieth century, ethnomusicologist and composer, Tiberiu Brediceanu (1877 – 1968) was at the forefront of the development of the Romanian national school of music. Brediceanu created one of the largest collections of Romanian folksongs, assembling over two thousand melodies. In his collection Doine si cantece poporale romanesti (Doinas and other Romanian Folksongs, 1927), Brediceanu set traditional folksongs in the style of lieder, arranging eighty folksongs for voice and piano. Doine si cantece poporale romanesti is tailored to the classically cultivated voice and is one of the largest collections of Romanian art songs. The purpose of my research is to provide an interpretative guide for twenty-nine selected pieces from Brediceanu’s collection, with particular relevance for English-speaking performers. The songs were chosen to represent a range of genres, dramatic atmospheres and time periods (Brediceanu gathered the songs in Doine si cantece poporale romanesti over more than thirty years). This thesis comprises two parts: a folio of recordings constituting 75% of the thesis; and a dissertation constituting 25% of the thesis. The folio includes recordings of twenty-nine songs from Brediceanu’s Doine si cantece poporale romanesti, as well as other works by Brediceanu and his Romanian contemporaries. A context for these works is provided through further recordings of European folk-based art songs of the 19th and 20th centuries. The dissertation provides an introduction to Tiberiu Brediceanu and Romanian folk music, then explores the interpretation of each of the twenty-nine songs selected from Doine si cantece poporale romanesti, considering aspects of interpretation based upon Romanian folk-practices. This section also includes poetic translations and phonetic transliterations of each song followed by a pronunciation guide for non-Romanian singers.","abstract_has_math":false,"creators":["Ioan, Alexandra"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019","date_published":"2019","updated_at":"2026-07-27T20:18:41Z","subjects":["Folk song","Romania","Art song","Brediceanu","Doine si cantece"],"languages":[],"rights":["Terms and Conditions: Copyright in works deposited in Minerva Access is retained by the copyright owner. The work may not be altered without permission from the copyright owner. Readers may only download, print and save electronic copies of whole works for their own personal non-commercial use. Any use that exceeds these limits requires permission from the copyright owner. Attribution is essential when quoting or paraphrasing from these works."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11343/240582","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Ioan, Alexandra"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2020-06-18T06:15:13Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2020-06-18T06:15:13Z"]},{"key":"dc:date.issued","label":"Date","values":["2019"]},{"key":"dc:type","label":"Dc Type","values":["PhD thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Folk song","Romania","Art song","Brediceanu","Doine si cantece"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Terms and Conditions: Copyright in works deposited in Minerva Access is retained by the copyright owner. The work may not be altered without permission from the copyright owner. Readers may only download, print and save electronic copies of whole works for their own personal non-commercial use. Any use that exceeds these limits requires permission from the copyright owner. Attribution is essential when quoting or paraphrasing from these works."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11343/240582"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["© 2019 Alexandra Ioan"]},{"key":"dc:description.abstract","label":"Abstract","values":["During the twentieth century, ethnomusicologist and composer, Tiberiu Brediceanu (1877 – 1968) was at the forefront of the development of the Romanian national school of music. Brediceanu created one of the largest collections of Romanian folksongs, assembling over two thousand melodies. In his collection Doine si cantece poporale romanesti (Doinas and other Romanian Folksongs, 1927), Brediceanu set traditional folksongs in the style of lieder, arranging eighty folksongs for voice and piano. Doine si cantece poporale romanesti is tailored to the classically cultivated voice and is one of the largest collections of Romanian art songs. The purpose of my research is to provide an interpretative guide for twenty-nine selected pieces from Brediceanu’s collection, with particular relevance for English-speaking performers. The songs were chosen to represent a range of genres, dramatic atmospheres and time periods (Brediceanu gathered the songs in Doine si cantece poporale romanesti over more than thirty years). This thesis comprises two parts: a folio of recordings constituting 75% of the thesis; and a dissertation constituting 25% of the thesis. The folio includes recordings of twenty-nine songs from Brediceanu’s Doine si cantece poporale romanesti, as well as other works by Brediceanu and his Romanian contemporaries. A context for these works is provided through further recordings of European folk-based art songs of the 19th and 20th centuries. The dissertation provides an introduction to Tiberiu Brediceanu and Romanian folk music, then explores the interpretation of each of the twenty-nine songs selected from Doine si cantece poporale romanesti, considering aspects of interpretation based upon Romanian folk-practices. This section also includes poetic translations and phonetic transliterations of each song followed by a pronunciation guide for non-Romanian singers."]},{"key":"dc:title","label":"Title","values":["Tiberiu Brediceanu's Doine şi cântece poporale româneşti and folk-inspired art song"]}]}],"canonical_facts":{"dc:creator":["Ioan, Alexandra"],"dc:date.accessioned":["2020-06-18T06:15:13Z"],"dc:date.available":["2020-06-18T06:15:13Z"],"dc:date.issued":["2019"],"dc:description":["© 2019 Alexandra Ioan"],"dc:description.abstract":["During the twentieth century, ethnomusicologist and composer, Tiberiu Brediceanu (1877 – 1968) was at the forefront of the development of the Romanian national school of music. Brediceanu created one of the largest collections of Romanian folksongs, assembling over two thousand melodies. In his collection Doine si cantece poporale romanesti (Doinas and other Romanian Folksongs, 1927), Brediceanu set traditional folksongs in the style of lieder, arranging eighty folksongs for voice and piano. Doine si cantece poporale romanesti is tailored to the classically cultivated voice and is one of the largest collections of Romanian art songs. The purpose of my research is to provide an interpretative guide for twenty-nine selected pieces from Brediceanu’s collection, with particular relevance for English-speaking performers. The songs were chosen to represent a range of genres, dramatic atmospheres and time periods (Brediceanu gathered the songs in Doine si cantece poporale romanesti over more than thirty years). This thesis comprises two parts: a folio of recordings constituting 75% of the thesis; and a dissertation constituting 25% of the thesis. The folio includes recordings of twenty-nine songs from Brediceanu’s Doine si cantece poporale romanesti, as well as other works by Brediceanu and his Romanian contemporaries. A context for these works is provided through further recordings of European folk-based art songs of the 19th and 20th centuries. The dissertation provides an introduction to Tiberiu Brediceanu and Romanian folk music, then explores the interpretation of each of the twenty-nine songs selected from Doine si cantece poporale romanesti, considering aspects of interpretation based upon Romanian folk-practices. This section also includes poetic translations and phonetic transliterations of each song followed by a pronunciation guide for non-Romanian singers."],"dc:identifier.uri":["http://hdl.handle.net/11343/240582"],"dc:rights":["Terms and Conditions: Copyright in works deposited in Minerva Access is retained by the copyright owner. The work may not be altered without permission from the copyright owner. Readers may only download, print and save electronic copies of whole works for their own personal non-commercial use. Any use that exceeds these limits requires permission from the copyright owner. Attribution is essential when quoting or paraphrasing from these works."],"dc:subject":["Folk song","Romania","Art song","Brediceanu","Doine si cantece"],"dc:title":["Tiberiu Brediceanu's Doine şi cântece poporale româneşti and folk-inspired art song"],"dc:type":["PhD thesis"]},"updated_at":"2026-07-27T20:18:41Z"}