{"id":{"repo_id":"maynooth","oai_identifier":"oai:mural.maynoothuniversity.ie:5241"},"canonical_url":"https://search.dev.ndltd.org/etd/maynooth/oai:mural.maynoothuniversity.ie:5241","repository":{"repo_id":"maynooth","name":"National University of Ireland - Maynooth","base_url":"http://mural.maynoothuniversity.ie/cgi/oai2"},"display":{"title":"An Analytical Survey of The Organ Music of Maurice Duruflé (1902-1986)","abstract":"This study approaches the organ compositions of Maurice Duruflé from an analytical point of view. With the standard categories of form, harmony, counterpoint, rhythm and melody as a general frame of reference, each composition will be examined in its own terms. In this way it is hoped to form a general impression of the composer's style and method. Each analysis will be preceded by a brief commentary which will include relevant information concerning the composition, publication and nature of the work in question. The work-list is taken from an article on Duruflé by Gwilyrn Beechey in The Music Review issue of May 1971. House style follows that of the Royal Musical Association.","abstract_html":"This study approaches the organ compositions of Maurice Duruflé from an analytical point of view. With the standard categories of form, harmony, counterpoint, rhythm and melody as a general frame of reference, each composition will be examined in its own terms. In this way it is hoped to form a general impression of the composer's style and method. Each analysis will be preceded by a brief commentary which will include relevant information concerning the composition, publication and nature of the work in question. The work-list is taken from an article on Duruflé by Gwilyrn Beechey in The Music Review issue of May 1971. House style follows that of the Royal Musical Association.","abstract_has_math":false,"creators":["O'Keeffe, John"],"institution":"National University of Ireland Maynooth","degree_name":null,"degree_level":"masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1988,"date_issued":"1988-09","date_published":"1988-09","updated_at":"2026-07-24T03:02:46Z","subjects":["Music"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["O'Keeffe, John"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["1988-09"]},{"key":"dc:date.issued","label":"Date","values":["1988-09"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Music"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["National University of Ireland Maynooth"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://mural.maynoothuniversity.ie/id/eprint/5241/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["masters"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://mural.maynoothuniversity.ie/id/eprint/5241/1/John_O_Keeffe_20140718090514.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This study approaches the organ compositions of Maurice Duruflé from an analytical point of view. With the standard categories of form, harmony, counterpoint, rhythm and melody as a general frame of reference, each composition will be examined in its own terms. In this way it is hoped to form a general impression of the composer's style and method. Each analysis will be preceded by a brief commentary which will include relevant information concerning the composition, publication and nature of the work in question. The work-list is taken from an article on Duruflé by Gwilyrn Beechey in The Music Review issue of May 1971. House style follows that of the Royal Musical Association."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["An Analytical Survey of The Organ Music of Maurice Duruflé (1902-1986)"]}]}],"canonical_facts":{"dc:creator":["O'Keeffe, John"],"dc:date":["1988-09"],"dc:date.issued":["1988-09"],"dc:description.abstract":["This study approaches the organ compositions of Maurice Duruflé from an analytical point of view. With the standard categories of form, harmony, counterpoint, rhythm and melody as a general frame of reference, each composition will be examined in its own terms. In this way it is hoped to form a general impression of the composer's style and method. Each analysis will be preceded by a brief commentary which will include relevant information concerning the composition, publication and nature of the work in question. The work-list is taken from an article on Duruflé by Gwilyrn Beechey in The Music Review issue of May 1971. House style follows that of the Royal Musical Association."],"dc:format":["text"],"dc:identifier.uri":["https://mural.maynoothuniversity.ie/id/eprint/5241/1/John_O_Keeffe_20140718090514.pdf"],"dc:language":["en"],"dc:publisher.department":["Music"],"dc:publisher.institution":["National University of Ireland Maynooth"],"dc:relation.isreferencedby":["https://mural.maynoothuniversity.ie/id/eprint/5241/"],"dc:subject":["Music"],"dc:title":["An Analytical Survey of The Organ Music of Maurice Duruflé (1902-1986)"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["masters"]},"updated_at":"2026-07-24T03:02:46Z"}