{"id":{"repo_id":"massey","oai_identifier":"oai:mro.massey.ac.nz:10179/7609"},"canonical_url":"https://search.dev.ndltd.org/etd/massey/oai:mro.massey.ac.nz:10179/7609","repository":{"repo_id":"massey","name":"Massey University","base_url":"https://mro.massey.ac.nz/server/oai/request"},"display":{"title":"Conversations with strangers : performing the broom & the bricoleur","abstract":"Within a workshop or studio, Bricolage is a process where the artist-as-bricoleur finds ad hoc collections of items and recombines them in unusual ways. A bricoluer uses simple tools for many tasks. This thesis considers how a contemporary bricoleur might step away from the workshop and into the everyday, taking only a broom as a familiar tool. “Conversations with strangers” performs the bricoleur at five sites, where the broom is a device that collects fragments of memories from conversations recorded there. These conversations form an inventory or collection that is a palimpsest merging human dialogue with a layer of sound from the sites as the broom sweeps. Together with the broom, these fragments are repurposed within a sculptural installation and post-studio performance of the Bricoleur.","abstract_html":"Within a workshop or studio, Bricolage is a process where the artist-as-bricoleur finds ad hoc collections of items and recombines them in unusual ways. A bricoluer uses simple tools for many tasks. This thesis considers how a contemporary bricoleur might step away from the workshop and into the everyday, taking only a broom as a familiar tool. “Conversations with strangers” performs the bricoleur at five sites, where the broom is a device that collects fragments of memories from conversations recorded there. These conversations form an inventory or collection that is a palimpsest merging human dialogue with a layer of sound from the sites as the broom sweeps. Together with the broom, these fragments are repurposed within a sculptural installation and post-studio performance of the Bricoleur.","abstract_has_math":false,"creators":["Doidge, Malcolm"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015","date_published":"2015","updated_at":"2026-07-27T20:16:53Z","subjects":["Doidge, Malcolm","Criticism and interpretation","Brooms and brushes in art","Installations (Art)"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10179/7609"],"render_values":[{"text":"hdl:10179/7609","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2015"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Doidge, Malcolm","Criticism and interpretation","Brooms and brushes in art","Installations (Art)"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10179/7609"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["Within a workshop or studio, Bricolage is a process where the artist-as-bricoleur finds ad hoc collections of items and recombines them in unusual ways. A bricoluer uses simple tools for many tasks. This thesis considers how a contemporary bricoleur might step away from the workshop and into the everyday, taking only a broom as a familiar tool. “Conversations with strangers” performs the bricoleur at five sites, where the broom is a device that collects fragments of memories from conversations recorded there. These conversations form an inventory or collection that is a palimpsest merging human dialogue with a layer of sound from the sites as the broom sweeps. Together with the broom, these fragments are repurposed within a sculptural installation and post-studio performance of the Bricoleur."]},{"key":"dc:title","label":"Title","values":["Conversations with strangers : performing the broom & the bricoleur"]}]}],"canonical_facts":{"dc:date.issued":["2015"],"dc:description.other":["Within a workshop or studio, Bricolage is a process where the artist-as-bricoleur finds ad hoc collections of items and recombines them in unusual ways. A bricoluer uses simple tools for many tasks. This thesis considers how a contemporary bricoleur might step away from the workshop and into the everyday, taking only a broom as a familiar tool. “Conversations with strangers” performs the bricoleur at five sites, where the broom is a device that collects fragments of memories from conversations recorded there. These conversations form an inventory or collection that is a palimpsest merging human dialogue with a layer of sound from the sites as the broom sweeps. Together with the broom, these fragments are repurposed within a sculptural installation and post-studio performance of the Bricoleur."],"dc:identifier":["hdl:10179/7609"],"dc:subject":["Doidge, Malcolm","Criticism and interpretation","Brooms and brushes in art","Installations (Art)"],"dc:title":["Conversations with strangers : performing the broom & the bricoleur"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T20:16:53Z"}