{"id":{"repo_id":"massey","oai_identifier":"oai:mro.massey.ac.nz:10179/4491"},"canonical_url":"https://search.dev.ndltd.org/etd/massey/oai:mro.massey.ac.nz:10179/4491","repository":{"repo_id":"massey","name":"Massey University","base_url":"https://mro.massey.ac.nz/server/oai/request"},"display":{"title":"Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand","abstract":"My research is centred on examinations of the uncanny. I am interested in strategies of the uncanny and the fetish, both Surrealist strategies and how these strategies create psychologically compelling images and objects. I perceive the uncanny in my work as the familiar made strange through eccentric juxtapositions of every day materials, objects and images. Through a diverse range of artists such as Pat Brassington, Sarah Lucas, Louise Bourgeois and Hans Bellmar I have explored key strategies of the uncanny to locate my own practice. I also draw theoretically from the works of Sigmund Freud, Nicholas Royle, Julia Kristeva and W.D. Winnicott. Methods of play are utilised to examine the possibility of an uncanny aesthetic through a process of bricolage whereby photographs and sculptural forms are constructed from various everyday materials available or on hand. Through this method I investigate how photographs and sculpture can operate as uncanny or fetishistic stand-ins for the body, which is always absent although a primary referent for my work.","abstract_html":"My research is centred on examinations of the uncanny. I am interested in strategies of the uncanny and the fetish, both Surrealist strategies and how these strategies create psychologically compelling images and objects. I perceive the uncanny in my work as the familiar made strange through eccentric juxtapositions of every day materials, objects and images. Through a diverse range of artists such as Pat Brassington, Sarah Lucas, Louise Bourgeois and Hans Bellmar I have explored key strategies of the uncanny to locate my own practice. I also draw theoretically from the works of Sigmund Freud, Nicholas Royle, Julia Kristeva and W.D. Winnicott. Methods of play are utilised to examine the possibility of an uncanny aesthetic through a process of bricolage whereby photographs and sculptural forms are constructed from various everyday materials available or on hand. Through this method I investigate how photographs and sculpture can operate as uncanny or fetishistic stand-ins for the body, which is always absent although a primary referent for my work.","abstract_has_math":false,"creators":["Brown, Adi"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013","date_published":"2013","updated_at":"2026-07-27T20:18:23Z","subjects":["Adi Brown","The uncanny (Psychoanalysis)","Installation art","Criticism and interpretation"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10179/4491"],"render_values":[{"text":"hdl:10179/4491","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2013"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Adi Brown","The uncanny (Psychoanalysis)","Installation art","Criticism and interpretation"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10179/4491"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["My research is centred on examinations of the uncanny. I am interested in strategies of the uncanny and the fetish, both Surrealist strategies and how these strategies create psychologically compelling images and objects. I perceive the uncanny in my work as the familiar made strange through eccentric juxtapositions of every day materials, objects and images. Through a diverse range of artists such as Pat Brassington, Sarah Lucas, Louise Bourgeois and Hans Bellmar I have explored key strategies of the uncanny to locate my own practice. I also draw theoretically from the works of Sigmund Freud, Nicholas Royle, Julia Kristeva and W.D. Winnicott. Methods of play are utilised to examine the possibility of an uncanny aesthetic through a process of bricolage whereby photographs and sculptural forms are constructed from various everyday materials available or on hand. Through this method I investigate how photographs and sculpture can operate as uncanny or fetishistic stand-ins for the body, which is always absent although a primary referent for my work."]},{"key":"dc:title","label":"Title","values":["Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand"]}]}],"canonical_facts":{"dc:date.issued":["2013"],"dc:description.other":["My research is centred on examinations of the uncanny. I am interested in strategies of the uncanny and the fetish, both Surrealist strategies and how these strategies create psychologically compelling images and objects. I perceive the uncanny in my work as the familiar made strange through eccentric juxtapositions of every day materials, objects and images. Through a diverse range of artists such as Pat Brassington, Sarah Lucas, Louise Bourgeois and Hans Bellmar I have explored key strategies of the uncanny to locate my own practice. I also draw theoretically from the works of Sigmund Freud, Nicholas Royle, Julia Kristeva and W.D. Winnicott. Methods of play are utilised to examine the possibility of an uncanny aesthetic through a process of bricolage whereby photographs and sculptural forms are constructed from various everyday materials available or on hand. Through this method I investigate how photographs and sculpture can operate as uncanny or fetishistic stand-ins for the body, which is always absent although a primary referent for my work."],"dc:identifier":["hdl:10179/4491"],"dc:subject":["Adi Brown","The uncanny (Psychoanalysis)","Installation art","Criticism and interpretation"],"dc:title":["Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T20:18:23Z"}