{"id":{"repo_id":"lsu-thes","oai_identifier":"oai:repository.lsu.edu:gradschool_dissertations-2445"},"canonical_url":"https://search.dev.ndltd.org/etd/lsu-thes/oai:repository.lsu.edu:gradschool_dissertations-2445","repository":{"repo_id":"lsu-thes","name":"Lousiana State University","base_url":"https://repository.lsu.edu/do/oai/"},"display":{"title":"Neo-onnagata: professional cross-dressed actors and their roles on the contemporary Japanese stage","abstract":"Neo-Onnagata: Professional Cross-dressed Actors and Their Roles on the Contemporary Japanese Stage explores the representation of male and female gender in the contemporary Japanese theatre. I particularly discuss a specialized subset of Japanese actor: the neo-onnagata, a contemporary theatre counterpart to Japan's highly stylized classical kabuki tradition of cross-dressed representation. This dissertation represents my attempt to provide these basic aims: to situate the contemporary Japanese cross-dresser in Japanese tradition, to show how cross-dressing acts as a sharp social commentary and mirror, and to introduce some little-represented cross-dressing actors of the contemporary Japanese stage to the academic community at large. In addition, I examine the conservative gender role system of Japan and demonstrate how the neo-onnagata challenge traditional performance and sex roles. Particularly, I seek to showcase neo-onnagata as expanding opportunities for male actors and as new gendered models for men.","abstract_html":"Neo-Onnagata: Professional Cross-dressed Actors and Their Roles on the Contemporary Japanese Stage explores the representation of male and female gender in the contemporary Japanese theatre. I particularly discuss a specialized subset of Japanese actor: the neo-onnagata, a contemporary theatre counterpart to Japan's highly stylized classical kabuki tradition of cross-dressed representation. This dissertation represents my attempt to provide these basic aims: to situate the contemporary Japanese cross-dresser in Japanese tradition, to show how cross-dressing acts as a sharp social commentary and mirror, and to introduce some little-represented cross-dressing actors of the contemporary Japanese stage to the academic community at large. In addition, I examine the conservative gender role system of Japan and demonstrate how the neo-onnagata challenge traditional performance and sex roles. Particularly, I seek to showcase neo-onnagata as expanding opportunities for male actors and as new gendered models for men.","abstract_has_math":false,"creators":["Armstrong IV, William Hamilton"],"institution":"Theatre","degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"Theatre and Performance Studies","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2002,"date_issued":"2002-01-01T08:00:00Z","date_published":"2002-01-01T08:00:00Z","updated_at":"2026-07-24T02:59:31Z","subjects":["gender","cross-dressed actors","kabuki","akihiro miwa","onnagata","black lizard","neo-onnagata","japanese theatre"],"languages":[],"rights":["unrestricted","Release the entire work immediately for access worldwide."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-0419102-085015","https://repository.lsu.edu/gradschool_dissertations/1446"],"render_values":[{"text":"etd-0419102-085015","href":null,"code":true},{"text":"https://repository.lsu.edu/gradschool_dissertations/1446","href":"https://repository.lsu.edu/gradschool_dissertations/1446","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.31390/gradschool_dissertations.1446","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Armstrong IV, William Hamilton"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2002-02-27"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2022-05-12T23:12:09Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre and Performance Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Theatre"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["gender","cross-dressed actors","kabuki","akihiro miwa","onnagata","black lizard","neo-onnagata","japanese theatre"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","Release the entire work immediately for access worldwide."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-0419102-085015","10.31390/gradschool_dissertations.1446","https://repository.lsu.edu/gradschool_dissertations/1446"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Neo-Onnagata: Professional Cross-dressed Actors and Their Roles on the Contemporary Japanese Stage explores the representation of male and female gender in the contemporary Japanese theatre. I particularly discuss a specialized subset of Japanese actor: the neo-onnagata, a contemporary theatre counterpart to Japan's highly stylized classical kabuki tradition of cross-dressed representation. This dissertation represents my attempt to provide these basic aims: to situate the contemporary Japanese cross-dresser in Japanese tradition, to show how cross-dressing acts as a sharp social commentary and mirror, and to introduce some little-represented cross-dressing actors of the contemporary Japanese stage to the academic community at large. In addition, I examine the conservative gender role system of Japan and demonstrate how the neo-onnagata challenge traditional performance and sex roles. Particularly, I seek to showcase neo-onnagata as expanding opportunities for male actors and as new gendered models for men."]},{"key":"dc:title","label":"Title","values":["Neo-onnagata: professional cross-dressed actors and their roles on the contemporary Japanese stage"]}]}],"canonical_facts":{"dc:creator":["Armstrong IV, William Hamilton"],"dc:date":["2002-02-27"],"dc:date.available":["2022-05-12T23:12:09Z"],"dc:description.abstract":["Neo-Onnagata: Professional Cross-dressed Actors and Their Roles on the Contemporary Japanese Stage explores the representation of male and female gender in the contemporary Japanese theatre. I particularly discuss a specialized subset of Japanese actor: the neo-onnagata, a contemporary theatre counterpart to Japan's highly stylized classical kabuki tradition of cross-dressed representation. This dissertation represents my attempt to provide these basic aims: to situate the contemporary Japanese cross-dresser in Japanese tradition, to show how cross-dressing acts as a sharp social commentary and mirror, and to introduce some little-represented cross-dressing actors of the contemporary Japanese stage to the academic community at large. In addition, I examine the conservative gender role system of Japan and demonstrate how the neo-onnagata challenge traditional performance and sex roles. 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