{"id":{"repo_id":"lsu-thes","oai_identifier":"oai:repository.lsu.edu:gradschool_dissertations-2157"},"canonical_url":"https://search.dev.ndltd.org/etd/lsu-thes/oai:repository.lsu.edu:gradschool_dissertations-2157","repository":{"repo_id":"lsu-thes","name":"Lousiana State University","base_url":"https://repository.lsu.edu/do/oai/"},"display":{"title":"A pedagogical analysis of selected pieces from Preludes, Op. 38, by Dmitri Kabalevsky","abstract":"Dmitri Borisovich Kabalevsky (1904-1987) is considered one of the composers who made the greatest contribution to the teaching repertoire for the piano. His interest in young people and devotion to music education has resulted in books and articles, as well as widely used pedagogical works including Childrenfs Pieces, Op. 27, Twenty-Four Little Pieces, Op. 39, and Five Sets of Variation, Op. 51. Many teaching materials in beginning to early intermediate levels include Kabalevskyfs accessible and imaginative pieces from these collections. In comparison, his advanced works are rarely performed in concerts or used for teaching among educators.@@ This research focuses on one of the neglected works by Kabalevsky, Preludes, Op. 38 (1943). The collection includes twenty-four pieces ranging from intermediate to advanced levels. Sixteen intermediate to early advanced level pieces were selected from this collection based on their accessibility as well as musical and pedagogical appeal. The objective of this research is to provide a stylistic overview and an analysis for teaching and performance. Chapter One includes an introduction and the background of Kabalevsky. Chapter Two discusses the compositional style of the Preludes and other works by Kabalevsky. Chapter Three provides analysis of the sixteen selected pieces.","abstract_html":"Dmitri Borisovich Kabalevsky (1904-1987) is considered one of the composers who made the greatest contribution to the teaching repertoire for the piano. His interest in young people and devotion to music education has resulted in books and articles, as well as widely used pedagogical works including Childrenfs Pieces, Op. 27, Twenty-Four Little Pieces, Op. 39, and Five Sets of Variation, Op. 51. Many teaching materials in beginning to early intermediate levels include Kabalevskyfs accessible and imaginative pieces from these collections. In comparison, his advanced works are rarely performed in concerts or used for teaching among educators.@@ This research focuses on one of the neglected works by Kabalevsky, Preludes, Op. 38 (1943). The collection includes twenty-four pieces ranging from intermediate to advanced levels. Sixteen intermediate to early advanced level pieces were selected from this collection based on their accessibility as well as musical and pedagogical appeal. The objective of this research is to provide a stylistic overview and an analysis for teaching and performance. Chapter One includes an introduction and the background of Kabalevsky. Chapter Two discusses the compositional style of the Preludes and other works by Kabalevsky. Chapter Three provides analysis of the sixteen selected pieces.","abstract_has_math":false,"creators":["Kanno, Sayaka"],"institution":"Music","degree_name":"Doctor of Musical Arts (DMA)","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-01-01T08:00:00Z","date_published":"2008-01-01T08:00:00Z","updated_at":"2026-07-24T02:59:03Z","subjects":["Kabalevsky","pedagogy"],"languages":[],"rights":["unrestricted","Release the entire work immediately for access worldwide."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-11032008-112312","https://repository.lsu.edu/gradschool_dissertations/1158"],"render_values":[{"text":"etd-11032008-112312","href":null,"code":true},{"text":"https://repository.lsu.edu/gradschool_dissertations/1158","href":"https://repository.lsu.edu/gradschool_dissertations/1158","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.31390/gradschool_dissertations.1158","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Kanno, Sayaka"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2008-10-07"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2022-05-12T23:11:12Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Musical Arts (DMA)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Music"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Kabalevsky","pedagogy"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","Release the entire work immediately for access worldwide."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-11032008-112312","10.31390/gradschool_dissertations.1158","https://repository.lsu.edu/gradschool_dissertations/1158"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Dmitri Borisovich Kabalevsky (1904-1987) is considered one of the composers who made the greatest contribution to the teaching repertoire for the piano. His interest in young people and devotion to music education has resulted in books and articles, as well as widely used pedagogical works including Childrenfs Pieces, Op. 27, Twenty-Four Little Pieces, Op. 39, and Five Sets of Variation, Op. 51. Many teaching materials in beginning to early intermediate levels include Kabalevskyfs accessible and imaginative pieces from these collections. In comparison, his advanced works are rarely performed in concerts or used for teaching among educators.@@ This research focuses on one of the neglected works by Kabalevsky, Preludes, Op. 38 (1943). The collection includes twenty-four pieces ranging from intermediate to advanced levels. Sixteen intermediate to early advanced level pieces were selected from this collection based on their accessibility as well as musical and pedagogical appeal. The objective of this research is to provide a stylistic overview and an analysis for teaching and performance. Chapter One includes an introduction and the background of Kabalevsky. Chapter Two discusses the compositional style of the Preludes and other works by Kabalevsky. Chapter Three provides analysis of the sixteen selected pieces."]},{"key":"dc:title","label":"Title","values":["A pedagogical analysis of selected pieces from Preludes, Op. 38, by Dmitri Kabalevsky"]}]}],"canonical_facts":{"dc:creator":["Kanno, Sayaka"],"dc:date":["2008-10-07"],"dc:date.available":["2022-05-12T23:11:12Z"],"dc:description.abstract":["Dmitri Borisovich Kabalevsky (1904-1987) is considered one of the composers who made the greatest contribution to the teaching repertoire for the piano. His interest in young people and devotion to music education has resulted in books and articles, as well as widely used pedagogical works including Childrenfs Pieces, Op. 27, Twenty-Four Little Pieces, Op. 39, and Five Sets of Variation, Op. 51. Many teaching materials in beginning to early intermediate levels include Kabalevskyfs accessible and imaginative pieces from these collections. In comparison, his advanced works are rarely performed in concerts or used for teaching among educators.@@ This research focuses on one of the neglected works by Kabalevsky, Preludes, Op. 38 (1943). The collection includes twenty-four pieces ranging from intermediate to advanced levels. Sixteen intermediate to early advanced level pieces were selected from this collection based on their accessibility as well as musical and pedagogical appeal. The objective of this research is to provide a stylistic overview and an analysis for teaching and performance. Chapter One includes an introduction and the background of Kabalevsky. Chapter Two discusses the compositional style of the Preludes and other works by Kabalevsky. Chapter Three provides analysis of the sixteen selected pieces."],"dc:identifier":["etd-11032008-112312","10.31390/gradschool_dissertations.1158","https://repository.lsu.edu/gradschool_dissertations/1158"],"dc:rights":["unrestricted","Release the entire work immediately for access worldwide."],"dc:subject":["Kabalevsky","pedagogy"],"dc:title":["A pedagogical analysis of selected pieces from Preludes, Op. 38, by Dmitri Kabalevsky"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Musical Arts (DMA)"],"thesis:institution_name":["Music"]},"updated_at":"2026-07-24T02:59:03Z"}