{"id":{"repo_id":"lsu-thes","oai_identifier":"oai:repository.lsu.edu:gradschool_dissertations-1780"},"canonical_url":"https://search.dev.ndltd.org/etd/lsu-thes/oai:repository.lsu.edu:gradschool_dissertations-1780","repository":{"repo_id":"lsu-thes","name":"Lousiana State University","base_url":"https://repository.lsu.edu/do/oai/"},"display":{"title":"Tracing the Development of Willie Stark and Its Place in American Opera","abstract":"Highly praised American composer Carlisle Floyd (b. 1925), well known for his musical dramas Susannah (1955) and Of Mice and Men (1970), wrote Willie Stark (1981), commissioned by the Kennedy Center for the Performing Arts and later Houston Grand Opera. Floyd’s libretto and musical score was based upon Robert Penn Warren’s Pulitzer Prize-Winning novel All The King’s Men. Despite the vast amount of publicity it received at the premiere, this opera has only occasionally been performed in the last 35 years. Chapter One discusses Carlisle Floyd’s creation of Willie Stark. Chapter Two discusses the workshop performance of the piece. Chapter Three discusses the show’s director, Harold Prince. Chapter Four covers the reviews of the Houston Grand Opera Premiere, the Kennedy Center Premiere, and the filmed version for Public Broadcasting Service’s “Great Performances.” Chapter Five addresses the revivals of Willie Stark after the premiere productions. Chapter Six concludes with assessments of critical reviews to offer possible explanations for the show’s limited revivals.","abstract_html":"Highly praised American composer Carlisle Floyd (b. 1925), well known for his musical dramas Susannah (1955) and Of Mice and Men (1970), wrote Willie Stark (1981), commissioned by the Kennedy Center for the Performing Arts and later Houston Grand Opera. Floyd’s libretto and musical score was based upon Robert Penn Warren’s Pulitzer Prize-Winning novel All The King’s Men. Despite the vast amount of publicity it received at the premiere, this opera has only occasionally been performed in the last 35 years. Chapter One discusses Carlisle Floyd’s creation of Willie Stark. Chapter Two discusses the workshop performance of the piece. Chapter Three discusses the show’s director, Harold Prince. Chapter Four covers the reviews of the Houston Grand Opera Premiere, the Kennedy Center Premiere, and the filmed version for Public Broadcasting Service’s “Great Performances.” Chapter Five addresses the revivals of Willie Stark after the premiere productions. Chapter Six concludes with assessments of critical reviews to offer possible explanations for the show’s limited revivals.","abstract_has_math":false,"creators":["Uschkrat, Betsy Marie"],"institution":"Music","degree_name":"Doctor of Musical Arts (DMA)","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-01-01T08:00:00Z","date_published":"2016-01-01T08:00:00Z","updated_at":"2026-07-24T02:58:17Z","subjects":["Harold Prince","National Opera Institute","Kennedy Center","Houston Grand Opera","Willie Stark","Carlisle Floyd","David Gockley","Robert Penn Warren","All the King's Men","Louisiana State University Opera","Newport Classic","Boosey & Hawkes","Great Performances","Public Broadcasting Service"],"languages":[],"rights":["unrestricted","Release the entire work immediately for access worldwide."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-07102016-231339","https://repository.lsu.edu/gradschool_dissertations/781"],"render_values":[{"text":"etd-07102016-231339","href":null,"code":true},{"text":"https://repository.lsu.edu/gradschool_dissertations/781","href":"https://repository.lsu.edu/gradschool_dissertations/781","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.31390/gradschool_dissertations.781","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Uschkrat, Betsy Marie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2016-05-10"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2022-05-12T23:09:58Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Musical Arts (DMA)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Music"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Harold Prince","National Opera Institute","Kennedy Center","Houston Grand Opera","Willie Stark","Carlisle Floyd","David Gockley","Robert Penn Warren","All the King's Men","Louisiana State University Opera","Newport Classic","Boosey & Hawkes","Great Performances","Public Broadcasting Service"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","Release the entire work immediately for access worldwide."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-07102016-231339","10.31390/gradschool_dissertations.781","https://repository.lsu.edu/gradschool_dissertations/781"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Highly praised American composer Carlisle Floyd (b. 1925), well known for his musical dramas Susannah (1955) and Of Mice and Men (1970), wrote Willie Stark (1981), commissioned by the Kennedy Center for the Performing Arts and later Houston Grand Opera. Floyd’s libretto and musical score was based upon Robert Penn Warren’s Pulitzer Prize-Winning novel All The King’s Men. Despite the vast amount of publicity it received at the premiere, this opera has only occasionally been performed in the last 35 years. Chapter One discusses Carlisle Floyd’s creation of Willie Stark. Chapter Two discusses the workshop performance of the piece. Chapter Three discusses the show’s director, Harold Prince. Chapter Four covers the reviews of the Houston Grand Opera Premiere, the Kennedy Center Premiere, and the filmed version for Public Broadcasting Service’s “Great Performances.” Chapter Five addresses the revivals of Willie Stark after the premiere productions. Chapter Six concludes with assessments of critical reviews to offer possible explanations for the show’s limited revivals."]},{"key":"dc:title","label":"Title","values":["Tracing the Development of Willie Stark and Its Place in American Opera"]}]}],"canonical_facts":{"dc:creator":["Uschkrat, Betsy Marie"],"dc:date":["2016-05-10"],"dc:date.available":["2022-05-12T23:09:58Z"],"dc:description.abstract":["Highly praised American composer Carlisle Floyd (b. 1925), well known for his musical dramas Susannah (1955) and Of Mice and Men (1970), wrote Willie Stark (1981), commissioned by the Kennedy Center for the Performing Arts and later Houston Grand Opera. Floyd’s libretto and musical score was based upon Robert Penn Warren’s Pulitzer Prize-Winning novel All The King’s Men. Despite the vast amount of publicity it received at the premiere, this opera has only occasionally been performed in the last 35 years. Chapter One discusses Carlisle Floyd’s creation of Willie Stark. Chapter Two discusses the workshop performance of the piece. Chapter Three discusses the show’s director, Harold Prince. Chapter Four covers the reviews of the Houston Grand Opera Premiere, the Kennedy Center Premiere, and the filmed version for Public Broadcasting Service’s “Great Performances.” Chapter Five addresses the revivals of Willie Stark after the premiere productions. Chapter Six concludes with assessments of critical reviews to offer possible explanations for the show’s limited revivals."],"dc:identifier":["etd-07102016-231339","10.31390/gradschool_dissertations.781","https://repository.lsu.edu/gradschool_dissertations/781"],"dc:rights":["unrestricted","Release the entire work immediately for access worldwide."],"dc:subject":["Harold Prince","National Opera Institute","Kennedy Center","Houston Grand Opera","Willie Stark","Carlisle Floyd","David Gockley","Robert Penn Warren","All the King's Men","Louisiana State University Opera","Newport Classic","Boosey & Hawkes","Great Performances","Public Broadcasting Service"],"dc:title":["Tracing the Development of Willie Stark and Its Place in American Opera"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Musical Arts (DMA)"],"thesis:institution_name":["Music"]},"updated_at":"2026-07-24T02:58:17Z"}