{"id":{"repo_id":"lsu-thes","oai_identifier":"oai:repository.lsu.edu:gradschool_dissertations-1774"},"canonical_url":"https://search.dev.ndltd.org/etd/lsu-thes/oai:repository.lsu.edu:gradschool_dissertations-1774","repository":{"repo_id":"lsu-thes","name":"Lousiana State University","base_url":"https://repository.lsu.edu/do/oai/"},"display":{"title":"Joseph Messner's organ music: evolution of a style","abstract":"Joseph Messner (1893-1969) achieved fame in Europe for his contributions to the sacred concerts of the Salzburg Festspiele following World War II. In his early career, however, Messner earned initial acclaim as a recitalist and renowned improviser on the organ. Messner composed and published several organ works prior to World War II which contain style elements of late-romanticism and an emerging neoclassicism. This paper analyses the works in regards to form, stylistic elements, and performance issues in addition to establishing the historical contexts from which they originated.","abstract_html":"Joseph Messner (1893-1969) achieved fame in Europe for his contributions to the sacred concerts of the Salzburg Festspiele following World War II. In his early career, however, Messner earned initial acclaim as a recitalist and renowned improviser on the organ. Messner composed and published several organ works prior to World War II which contain style elements of late-romanticism and an emerging neoclassicism. 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In his early career, however, Messner earned initial acclaim as a recitalist and renowned improviser on the organ. Messner composed and published several organ works prior to World War II which contain style elements of late-romanticism and an emerging neoclassicism. This paper analyses the works in regards to form, stylistic elements, and performance issues in addition to establishing the historical contexts from which they originated."]},{"key":"dc:title","label":"Title","values":["Joseph Messner's organ music: evolution of a style"]}]}],"canonical_facts":{"dc:creator":["Rozman, Julie Powell"],"dc:date":["2009-04-15"],"dc:date.available":["2022-05-12T23:09:57Z"],"dc:description.abstract":["Joseph Messner (1893-1969) achieved fame in Europe for his contributions to the sacred concerts of the Salzburg Festspiele following World War II. In his early career, however, Messner earned initial acclaim as a recitalist and renowned improviser on the organ. Messner composed and published several organ works prior to World War II which contain style elements of late-romanticism and an emerging neoclassicism. This paper analyses the works in regards to form, stylistic elements, and performance issues in addition to establishing the historical contexts from which they originated."],"dc:identifier":["etd-05132009-142650","10.31390/gradschool_dissertations.775","https://repository.lsu.edu/gradschool_dissertations/775"],"dc:rights":["unrestricted","Release the entire work immediately for access worldwide."],"dc:subject":["austria","late-romantic","neoclassicism"],"dc:title":["Joseph Messner's organ music: evolution of a style"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Musical Arts (DMA)"],"thesis:institution_name":["Music"]},"updated_at":"2026-07-24T02:58:17Z"}