{"id":{"repo_id":"lsu-thes","oai_identifier":"oai:repository.lsu.edu:gradschool_dissertations-1682"},"canonical_url":"https://search.dev.ndltd.org/etd/lsu-thes/oai:repository.lsu.edu:gradschool_dissertations-1682","repository":{"repo_id":"lsu-thes","name":"Lousiana State University","base_url":"https://repository.lsu.edu/do/oai/"},"display":{"title":"A performer's guide to the songs for soprano by the Austro-American composer Eric Zeisl (1905-1959)","abstract":"This written document presents an introduction to the soprano songs by the Austro-American composer Eric Zeisl. Songs chosen comprise published songs (Der Schäfer, Die Fünf Hühnerchen, Vergiss Mein Nicht, Vor Meinem Fenster) as well as unpublished songs (Der Briefmark, Der Tag Erwacht, Immer Leiser Wird Mein Schlummer, Kommst Du Nicht Herein, Reiterliedchen). The thesis begins with a brief biographical outline of the composer and a discussion of his song style and his musical influences. Subsequent chapters include a discussion of the poets used in the chosen songs, as well as an analysis of these songs. Appendices provide translations, IPA transcriptions, a complete song list of Zeisl’s soprano songs with vocal ranges, and a discography.","abstract_html":"This written document presents an introduction to the soprano songs by the Austro-American composer Eric Zeisl. Songs chosen comprise published songs (Der Schäfer, Die Fünf Hühnerchen, Vergiss Mein Nicht, Vor Meinem Fenster) as well as unpublished songs (Der Briefmark, Der Tag Erwacht, Immer Leiser Wird Mein Schlummer, Kommst Du Nicht Herein, Reiterliedchen). The thesis begins with a brief biographical outline of the composer and a discussion of his song style and his musical influences. Subsequent chapters include a discussion of the poets used in the chosen songs, as well as an analysis of these songs. Appendices provide translations, IPA transcriptions, a complete song list of Zeisl’s soprano songs with vocal ranges, and a discography.","abstract_has_math":false,"creators":["Roessner, Katharina"],"institution":"Music","degree_name":"Doctor of Musical Arts (DMA)","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-01-01T08:00:00Z","date_published":"2007-01-01T08:00:00Z","updated_at":"2026-07-24T02:57:56Z","subjects":["song literature","song interpretation","Jewish composers","Lied","Austria","song criticism"],"languages":[],"rights":["unrestricted","Release the entire work immediately for access worldwide."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-11072007-212654","https://repository.lsu.edu/gradschool_dissertations/683"],"render_values":[{"text":"etd-11072007-212654","href":null,"code":true},{"text":"https://repository.lsu.edu/gradschool_dissertations/683","href":"https://repository.lsu.edu/gradschool_dissertations/683","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.31390/gradschool_dissertations.683","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Roessner, Katharina"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2007-10-30"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2022-05-12T23:09:38Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Musical Arts (DMA)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Music"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["song literature","song interpretation","Jewish composers","Lied","Austria","song criticism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","Release the entire work immediately for access worldwide."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-11072007-212654","10.31390/gradschool_dissertations.683","https://repository.lsu.edu/gradschool_dissertations/683"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This written document presents an introduction to the soprano songs by the Austro-American composer Eric Zeisl. Songs chosen comprise published songs (Der Schäfer, Die Fünf Hühnerchen, Vergiss Mein Nicht, Vor Meinem Fenster) as well as unpublished songs (Der Briefmark, Der Tag Erwacht, Immer Leiser Wird Mein Schlummer, Kommst Du Nicht Herein, Reiterliedchen). The thesis begins with a brief biographical outline of the composer and a discussion of his song style and his musical influences. Subsequent chapters include a discussion of the poets used in the chosen songs, as well as an analysis of these songs. Appendices provide translations, IPA transcriptions, a complete song list of Zeisl’s soprano songs with vocal ranges, and a discography."]},{"key":"dc:title","label":"Title","values":["A performer's guide to the songs for soprano by the Austro-American composer Eric Zeisl (1905-1959)"]}]}],"canonical_facts":{"dc:creator":["Roessner, Katharina"],"dc:date":["2007-10-30"],"dc:date.available":["2022-05-12T23:09:38Z"],"dc:description.abstract":["This written document presents an introduction to the soprano songs by the Austro-American composer Eric Zeisl. Songs chosen comprise published songs (Der Schäfer, Die Fünf Hühnerchen, Vergiss Mein Nicht, Vor Meinem Fenster) as well as unpublished songs (Der Briefmark, Der Tag Erwacht, Immer Leiser Wird Mein Schlummer, Kommst Du Nicht Herein, Reiterliedchen). The thesis begins with a brief biographical outline of the composer and a discussion of his song style and his musical influences. Subsequent chapters include a discussion of the poets used in the chosen songs, as well as an analysis of these songs. Appendices provide translations, IPA transcriptions, a complete song list of Zeisl’s soprano songs with vocal ranges, and a discography."],"dc:identifier":["etd-11072007-212654","10.31390/gradschool_dissertations.683","https://repository.lsu.edu/gradschool_dissertations/683"],"dc:rights":["unrestricted","Release the entire work immediately for access worldwide."],"dc:subject":["song literature","song interpretation","Jewish composers","Lied","Austria","song criticism"],"dc:title":["A performer's guide to the songs for soprano by the Austro-American composer Eric Zeisl (1905-1959)"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Musical Arts (DMA)"],"thesis:institution_name":["Music"]},"updated_at":"2026-07-24T02:57:56Z"}