{"id":{"repo_id":"lsu-thes","oai_identifier":"oai:repository.lsu.edu:gradschool_dissertations-1455"},"canonical_url":"https://search.dev.ndltd.org/etd/lsu-thes/oai:repository.lsu.edu:gradschool_dissertations-1455","repository":{"repo_id":"lsu-thes","name":"Lousiana State University","base_url":"https://repository.lsu.edu/do/oai/"},"display":{"title":"A conductor's theoretical and performance analysis of Nicholas Maw's \"American Games\" for symphonic wind ensemble","abstract":"The purpose of this document is to provide information pertaining to the instrumental music of the living British composer Nicholas Maw and a detailed analysis of American Games, his only work for symphonic wind ensemble. The document is divided into four chapters, the first of which contains introductory, biographical, and repertoire information. Chapter Two explores Maw’s primary influences and provides a description of his late instrumental style, including references to three orchestral works completed in the last twenty years (Odyssey, Violin Concerto, and Dance Scenes). The third chapter includes pertinent historical information on American Games paired with a detailed theoretical analysis. The fourth chapter consists of a conductor’s rehearsal and performance analysis of the work. Information is based on my experience preparing and performing the work with the Louisiana State University Wind Ensemble and a review of other literature pertaining to the analysis and performance of the piece. My hope is that this document will aid conductors in future preparations of the piece, enhance their understanding of the elements of its construction, and improve their overall presentation to the ensemble, thus resulting in artistically gratifying performances of the work.","abstract_html":"The purpose of this document is to provide information pertaining to the instrumental music of the living British composer Nicholas Maw and a detailed analysis of American Games, his only work for symphonic wind ensemble. The document is divided into four chapters, the first of which contains introductory, biographical, and repertoire information. Chapter Two explores Maw’s primary influences and provides a description of his late instrumental style, including references to three orchestral works completed in the last twenty years (Odyssey, Violin Concerto, and Dance Scenes). The third chapter includes pertinent historical information on American Games paired with a detailed theoretical analysis. The fourth chapter consists of a conductor’s rehearsal and performance analysis of the work. Information is based on my experience preparing and performing the work with the Louisiana State University Wind Ensemble and a review of other literature pertaining to the analysis and performance of the piece. My hope is that this document will aid conductors in future preparations of the piece, enhance their understanding of the elements of its construction, and improve their overall presentation to the ensemble, thus resulting in artistically gratifying performances of the work.","abstract_has_math":false,"creators":["Spurlin, Adam Corey"],"institution":"Music","degree_name":"Doctor of Musical Arts (DMA)","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-01-01T08:00:00Z","date_published":"2007-01-01T08:00:00Z","updated_at":"2026-07-24T02:57:39Z","subjects":["twentieth century wind literature","wind conducting","rehearsal analysis","wind orchestra","wind band literature","british band music","british composers"],"languages":[],"rights":["unrestricted","Release the entire work immediately for access worldwide."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-04012007-220927","https://repository.lsu.edu/gradschool_dissertations/456"],"render_values":[{"text":"etd-04012007-220927","href":null,"code":true},{"text":"https://repository.lsu.edu/gradschool_dissertations/456","href":"https://repository.lsu.edu/gradschool_dissertations/456","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.31390/gradschool_dissertations.456","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Spurlin, Adam Corey"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2007-03-20"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2022-05-12T23:08:52Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Musical Arts (DMA)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Music"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["twentieth century wind literature","wind conducting","rehearsal analysis","wind orchestra","wind band literature","british band music","british composers"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","Release the entire work immediately for access worldwide."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-04012007-220927","10.31390/gradschool_dissertations.456","https://repository.lsu.edu/gradschool_dissertations/456"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The purpose of this document is to provide information pertaining to the instrumental music of the living British composer Nicholas Maw and a detailed analysis of American Games, his only work for symphonic wind ensemble. The document is divided into four chapters, the first of which contains introductory, biographical, and repertoire information. Chapter Two explores Maw’s primary influences and provides a description of his late instrumental style, including references to three orchestral works completed in the last twenty years (Odyssey, Violin Concerto, and Dance Scenes). The third chapter includes pertinent historical information on American Games paired with a detailed theoretical analysis. The fourth chapter consists of a conductor’s rehearsal and performance analysis of the work. Information is based on my experience preparing and performing the work with the Louisiana State University Wind Ensemble and a review of other literature pertaining to the analysis and performance of the piece. My hope is that this document will aid conductors in future preparations of the piece, enhance their understanding of the elements of its construction, and improve their overall presentation to the ensemble, thus resulting in artistically gratifying performances of the work."]},{"key":"dc:title","label":"Title","values":["A conductor's theoretical and performance analysis of Nicholas Maw's \"American Games\" for symphonic wind ensemble"]}]}],"canonical_facts":{"dc:creator":["Spurlin, Adam Corey"],"dc:date":["2007-03-20"],"dc:date.available":["2022-05-12T23:08:52Z"],"dc:description.abstract":["The purpose of this document is to provide information pertaining to the instrumental music of the living British composer Nicholas Maw and a detailed analysis of American Games, his only work for symphonic wind ensemble. The document is divided into four chapters, the first of which contains introductory, biographical, and repertoire information. Chapter Two explores Maw’s primary influences and provides a description of his late instrumental style, including references to three orchestral works completed in the last twenty years (Odyssey, Violin Concerto, and Dance Scenes). The third chapter includes pertinent historical information on American Games paired with a detailed theoretical analysis. The fourth chapter consists of a conductor’s rehearsal and performance analysis of the work. Information is based on my experience preparing and performing the work with the Louisiana State University Wind Ensemble and a review of other literature pertaining to the analysis and performance of the piece. My hope is that this document will aid conductors in future preparations of the piece, enhance their understanding of the elements of its construction, and improve their overall presentation to the ensemble, thus resulting in artistically gratifying performances of the work."],"dc:identifier":["etd-04012007-220927","10.31390/gradschool_dissertations.456","https://repository.lsu.edu/gradschool_dissertations/456"],"dc:rights":["unrestricted","Release the entire work immediately for access worldwide."],"dc:subject":["twentieth century wind literature","wind conducting","rehearsal analysis","wind orchestra","wind band literature","british band music","british composers"],"dc:title":["A conductor's theoretical and performance analysis of Nicholas Maw's \"American Games\" for symphonic wind ensemble"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Musical Arts (DMA)"],"thesis:institution_name":["Music"]},"updated_at":"2026-07-24T02:57:39Z"}