{"id":{"repo_id":"lsu-thes","oai_identifier":"oai:repository.lsu.edu:gradschool_dissertations-1336"},"canonical_url":"https://search.dev.ndltd.org/etd/lsu-thes/oai:repository.lsu.edu:gradschool_dissertations-1336","repository":{"repo_id":"lsu-thes","name":"Lousiana State University","base_url":"https://repository.lsu.edu/do/oai/"},"display":{"title":"Power, money, and sex(uality): the Black Masculine Paradigm","abstract":"This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues. Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and film. Adding to work included by literary and cultural studies scholars, the study has social and psychological dimensions that suggest an alternate form of black masculinity as well. The study reveals that these strategies affect the black males' economic, social and physical movement, and creates a corrupt national narrative that is informed and disrupted by racism.","abstract_html":"This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues. Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and film. Adding to work included by literary and cultural studies scholars, the study has social and psychological dimensions that suggest an alternate form of black masculinity as well. The study reveals that these strategies affect the black males' economic, social and physical movement, and creates a corrupt national narrative that is informed and disrupted by racism.","abstract_has_math":false,"creators":["Coleman, Kendric"],"institution":"English","degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"English Language and Literature","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2005,"date_issued":"2005-01-01T08:00:00Z","date_published":"2005-01-01T08:00:00Z","updated_at":"2026-07-24T02:57:30Z","subjects":["black men","masculinity","sexuality"],"languages":[],"rights":["unrestricted","Release the entire work immediately for access worldwide."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-04112005-175540","https://repository.lsu.edu/gradschool_dissertations/337"],"render_values":[{"text":"etd-04112005-175540","href":null,"code":true},{"text":"https://repository.lsu.edu/gradschool_dissertations/337","href":"https://repository.lsu.edu/gradschool_dissertations/337","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.31390/gradschool_dissertations.337","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Coleman, Kendric"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2005-04-04"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2022-05-12T23:08:29Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English Language and Literature"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["English"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["black men","masculinity","sexuality"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","Release the entire work immediately for access worldwide."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-04112005-175540","10.31390/gradschool_dissertations.337","https://repository.lsu.edu/gradschool_dissertations/337"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues. Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and film. Adding to work included by literary and cultural studies scholars, the study has social and psychological dimensions that suggest an alternate form of black masculinity as well. The study reveals that these strategies affect the black males' economic, social and physical movement, and creates a corrupt national narrative that is informed and disrupted by racism."]},{"key":"dc:title","label":"Title","values":["Power, money, and sex(uality): the Black Masculine Paradigm"]}]}],"canonical_facts":{"dc:creator":["Coleman, Kendric"],"dc:date":["2005-04-04"],"dc:date.available":["2022-05-12T23:08:29Z"],"dc:description.abstract":["This study develops the Black Masculine Paradigm (BMP), a construct used to trace historically specific components that inform black masculinity and explores the physical and psychological defensive strategies employed by black men in Richard Wright's Black Boy, Claude Brown's Manchild in the Promisedland, Nathan McCall's Make Me Wanna Holler, and James Earl Hardy's B-Boy Blues. Specifically, this project offers that power, money, and sex(uality) are located at the core of the BMP, and these social objectives are negotiated through politicization, prescribed masculinity, and heterosexuality. This project reads the politicization of the black male body through its presence in literature and film. Adding to work included by literary and cultural studies scholars, the study has social and psychological dimensions that suggest an alternate form of black masculinity as well. The study reveals that these strategies affect the black males' economic, social and physical movement, and creates a corrupt national narrative that is informed and disrupted by racism."],"dc:identifier":["etd-04112005-175540","10.31390/gradschool_dissertations.337","https://repository.lsu.edu/gradschool_dissertations/337"],"dc:rights":["unrestricted","Release the entire work immediately for access worldwide."],"dc:subject":["black men","masculinity","sexuality"],"dc:title":["Power, money, and sex(uality): the Black Masculine Paradigm"],"thesis:degree_discipline":["English Language and Literature"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy (PhD)"],"thesis:institution_name":["English"]},"updated_at":"2026-07-24T02:57:30Z"}