Performing toilets: putting matter into place

In this study, I place toilets and toilet practices center stage. Each chapter begins with and is compelled by a performance event in which a toilet plays a central role, such as the display of toilets in museum settings, a festival celebrating the building of public toilet blocks, and a Big Squat event, in which people gather en masse to squat collectively for one minute in recognition of the millions that lack access to toilets. By means of performance, the toilet is transferred from the backstage to center stage. Out of place, the toilet defamiliarizes and refunctions the body’s techniques, proprieties, and ceremonies of the body. I explore the body at the level of its practices and move from “body to self to society” (Frank 47), thus understanding the body as a bearer of social patterns and structures. By focusing on the performance of toilets, I associate the toilet with the artistic and generative possibilities of culture-making, aiming to refunction the toilet as an object that encourages productive communication rather than a taboo object that silences and represses interaction. Broadly, I am interested in how performing toilets might serve to counter disabling disciplinary norms, encourage collective action, and bring about generative change for people who desire it.

Name thesis:degree_name

Doctor of Philosophy (PhD)

Level thesis:degree_level

Dissertation

Discipline thesis:degree_discipline

Communication

Grantor

Communication Studies

Year dc:date.available

2011

Author dc:creator

• Dick McGeough, Danielle

• performance studies
• activism
• carnivalesque protest
• waste managment

Statement dc:rights

• unrestricted
• Release the entire work immediately for access worldwide.

Identifier

etd-11012011-101720
https://repository.lsu.edu/gradschool_dissertations/157

OAI identifier oai:identifier

oai:repository.lsu.edu:gradschool_dissertations-1156