{"id":{"repo_id":"lsu-thes","oai_identifier":"oai:repository.lsu.edu:gradschool_dissertations-1040"},"canonical_url":"https://search.dev.ndltd.org/etd/lsu-thes/oai:repository.lsu.edu:gradschool_dissertations-1040","repository":{"repo_id":"lsu-thes","name":"Lousiana State University","base_url":"https://repository.lsu.edu/do/oai/"},"display":{"title":"The dialogism of self and other in contemporary American drama","abstract":"This work is interdisciplinary in orientation and brings together American theatre (and culture) and contemporary ethical philosophy. I am introducing the French philosopher Emmanuel Lévinas and his theory of Self and Other to an analysis of contemporary American drama—a mode of approach that is new to the discipline of theatre studies. Lévinas’s insights are particularly relevant to the concerns of the 21st century and how we might rethink relationships and values. My work looks at contemporary American plays in terms of nationalism, gender politics, racial dynamics and ecological issues. I contend that these playwrights are attempting to go beyond conventional views on such matters and are modeling a sort of Lévinasian ethic in their works, one informed by an honoring of difference and a responsibility for the Other.","abstract_html":"This work is interdisciplinary in orientation and brings together American theatre (and culture) and contemporary ethical philosophy. I am introducing the French philosopher Emmanuel Lévinas and his theory of Self and Other to an analysis of contemporary American drama—a mode of approach that is new to the discipline of theatre studies. Lévinas’s insights are particularly relevant to the concerns of the 21st century and how we might rethink relationships and values. My work looks at contemporary American plays in terms of nationalism, gender politics, racial dynamics and ecological issues. I contend that these playwrights are attempting to go beyond conventional views on such matters and are modeling a sort of Lévinasian ethic in their works, one informed by an honoring of difference and a responsibility for the Other.","abstract_has_math":false,"creators":["Huang, Shih-Yi"],"institution":"Theatre","degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"Theatre and Performance Studies","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-01-01T08:00:00Z","date_published":"2010-01-01T08:00:00Z","updated_at":"2026-07-24T02:57:00Z","subjects":["Difficult Freedom","And Baby Makes 7","Hot ‘n’ Throbbing","political playwright","From Body to Ethics to Politics","Paula Vogel","Yellow face","David Henry Hwang","The Goat: Or Who is Sylvia?","Edward Albee","Angels in America","Tony Kushner","mythos and logos","existence without existent"],"languages":[],"rights":["unrestricted","Release the entire work immediately for access worldwide."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-01262010-105903","https://repository.lsu.edu/gradschool_dissertations/41"],"render_values":[{"text":"etd-01262010-105903","href":null,"code":true},{"text":"https://repository.lsu.edu/gradschool_dissertations/41","href":"https://repository.lsu.edu/gradschool_dissertations/41","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.31390/gradschool_dissertations.41","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Huang, Shih-Yi"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2009-12-15"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2022-05-12T23:07:29Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre and Performance Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Theatre"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Difficult Freedom","And Baby Makes 7","Hot ‘n’ Throbbing","political playwright","From Body to Ethics to Politics","Paula Vogel","Yellow face","David Henry Hwang","The Goat: Or Who is Sylvia?","Edward Albee","Angels in America","Tony Kushner","mythos and logos","existence without existent"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["unrestricted","Release the entire work immediately for access worldwide."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["etd-01262010-105903","10.31390/gradschool_dissertations.41","https://repository.lsu.edu/gradschool_dissertations/41"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This work is interdisciplinary in orientation and brings together American theatre (and culture) and contemporary ethical philosophy. 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