This dissertation traces the role of unauthorized publication in the posthumous construction of British Romanticism as a literary movement. It argues that Romantic ideology emerged from conflicting claims about the nature of intellectual property and the circulation of political and artistic ideas, apparent in the texts and paratexts of pirated books. I examine how these disputes play out in reprints of the works by Percy Bysshe Shelley and Robert Southey that became cornerstones of radical culture. The dissertation goes on to discuss how the underground economy of literary piracy affected Sir Walter Scott and Lord Byron's publication strategies, the significance of foreign reprints to copyright ideology and canon formation, and the relationship between unauthorized publication and the culture of appropriation apparent in radical periodicals and graphic satire. This study thus contributes to the history of the book and print culture in the early nineteenth century while illuminating the economic and legal underpinnings of the body of literature that came to be known as Romantic. It situates British Romanticism as an important moment in the ongoing discourse around intellectual property, emphasizing the contingent and ideologically fraught nature of any such concept.
","abstract_html":"<p>This dissertation traces the role of unauthorized publication in the posthumous construction of British Romanticism as a literary movement. It argues that Romantic ideology emerged from conflicting claims about the nature of intellectual property and the circulation of political and artistic ideas, apparent in the texts and paratexts of pirated books. I examine how these disputes play out in reprints of the works by Percy Bysshe Shelley and Robert Southey that became cornerstones of radical culture. The dissertation goes on to discuss how the underground economy of literary piracy affected Sir Walter Scott and Lord Byron's publication strategies, the significance of foreign reprints to copyright ideology and canon formation, and the relationship between unauthorized publication and the culture of appropriation apparent in radical periodicals and graphic satire. This study thus contributes to the history of the book and print culture in the early nineteenth century while illuminating the economic and legal underpinnings of the body of literature that came to be known as Romantic. It situates British Romanticism as an important moment in the ongoing discourse around intellectual property, emphasizing the contingent and ideologically fraught nature of any such concept.</p>","abstract_has_math":false,"creators":["Kolkey, Jason Isaac"],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-01-01T08:00:00Z","date_published":"2014-01-01T08:00:00Z","updated_at":"2026-07-24T02:56:24Z","subjects":["Book history","Copyright","Piracy","Publishing","Romantic Period","Literature in English, British Isles"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://ecommons.luc.edu/luc_diss/1275","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Kolkey, Jason Isaac"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2016-03-31T17:20:37Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Book history","Copyright","Piracy","Publishing","Romantic Period","Literature in English, British Isles"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://ecommons.luc.edu/luc_diss/1275"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation traces the role of unauthorized publication in the posthumous construction of British Romanticism as a literary movement. It argues that Romantic ideology emerged from conflicting claims about the nature of intellectual property and the circulation of political and artistic ideas, apparent in the texts and paratexts of pirated books. I examine how these disputes play out in reprints of the works by Percy Bysshe Shelley and Robert Southey that became cornerstones of radical culture. The dissertation goes on to discuss how the underground economy of literary piracy affected Sir Walter Scott and Lord Byron's publication strategies, the significance of foreign reprints to copyright ideology and canon formation, and the relationship between unauthorized publication and the culture of appropriation apparent in radical periodicals and graphic satire. This study thus contributes to the history of the book and print culture in the early nineteenth century while illuminating the economic and legal underpinnings of the body of literature that came to be known as Romantic. It situates British Romanticism as an important moment in the ongoing discourse around intellectual property, emphasizing the contingent and ideologically fraught nature of any such concept.
"]},{"key":"dc:title","label":"Title","values":["Pirates of Romanticism: Intellectual Property Ideology and the Birth of British Romanticism"]}]}],"canonical_facts":{"dc:creator":["Kolkey, Jason Isaac"],"dc:date.available":["2016-03-31T17:20:37Z"],"dc:description.abstract":["This dissertation traces the role of unauthorized publication in the posthumous construction of British Romanticism as a literary movement. It argues that Romantic ideology emerged from conflicting claims about the nature of intellectual property and the circulation of political and artistic ideas, apparent in the texts and paratexts of pirated books. I examine how these disputes play out in reprints of the works by Percy Bysshe Shelley and Robert Southey that became cornerstones of radical culture. The dissertation goes on to discuss how the underground economy of literary piracy affected Sir Walter Scott and Lord Byron's publication strategies, the significance of foreign reprints to copyright ideology and canon formation, and the relationship between unauthorized publication and the culture of appropriation apparent in radical periodicals and graphic satire. This study thus contributes to the history of the book and print culture in the early nineteenth century while illuminating the economic and legal underpinnings of the body of literature that came to be known as Romantic. It situates British Romanticism as an important moment in the ongoing discourse around intellectual property, emphasizing the contingent and ideologically fraught nature of any such concept.
"],"dc:identifier":["https://ecommons.luc.edu/luc_diss/1275"],"dc:subject":["Book history","Copyright","Piracy","Publishing","Romantic Period","Literature in English, British Isles"],"dc:title":["Pirates of Romanticism: Intellectual Property Ideology and the Birth of British Romanticism"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-24T02:56:24Z"}