{"id":{"repo_id":"loyola-thes","oai_identifier":"oai:ecommons.luc.edu:luc_diss-1166"},"canonical_url":"https://search.dev.ndltd.org/etd/loyola-thes/oai:ecommons.luc.edu:luc_diss-1166","repository":{"repo_id":"loyola-thes","name":"Loyola University Chicago","base_url":"https://ecommons.luc.edu/do/oai/"},"display":{"title":"Radicis: Ideology, Argument, and Composition Courses in American Colleges","abstract":"<p>The development of \"composition\" out of larger rhetorical studies in American</p><p>colleges and universities has narrowed the scope of rhetorical training our students</p><p>receive, most notably excluding the political and social dimensions of persuasion. This</p><p>dissertation is an attempt to recover the larger political and civic scope that was the</p><p>original focus of rhetoric. I join a growing chorus of voices seeking to bring classroom</p><p>practice to bear on the larger social and civic lives of our students. My approach is</p><p>original in that it blends classical rhetoric with contemporary ideological theory to derive</p><p>a pedagogy that will allow students to see the importance of rhetoric and persuasion in</p><p>their lives and provide them with a techne, a set of skills that can be used to analyze and</p><p>generate discourse for a variety of audiences, including academic ones.</p><p>I begin by showing that current-traditional composition methodologies and</p><p>theories do not allow for students to productively generate social and civic discourse, a</p><p>significant change in rhetoric study. Because of the lack of civic and ideological focus,</p><p>students tend to parrot the arguments they are exposed to without truly examining their</p><p>underlying principles. The origin of this \"formalist\" approach lies in the peculiar</p><p>response to an expanding student population and a new model of the university that</p><p>began to take shape in The United States in the nineteenth century. Increasingly undertrained</p><p>students were faced with a curriculum that demanded an ever-increasing</p><p>specialization of its scholars. As a result, remedial efforts at training newer students to</p><p>write \"academic\" prose became standard practice.</p><p>As an alternative, I propose a composition course based on classical rhetorical</p><p>principles. Concepts such as ethos, pathos, and logos; decorum; enthymemic reasoning;</p><p>and audience analysis are central to argumentation in both the contemporary era and in</p><p>the classical age. However, contemporary understandings of ideology as the underlying</p><p>motivation for most human belief and behavior must be taken into consideration. By</p><p>incorporating contemporary ideological theory into classical rhetorical theory, this project</p><p>will provide a pedagogical model that will allow students to participate more fully in the</p><p>civic arena, and give them a set of skills that can be used in academic settings, thus</p><p>remaining true to the larger civic nature of rhetoric, while fulfilling institutional goals for</p><p>composition classes.</p>","abstract_html":"&lt;p&gt;The development of &quot;composition&quot; out of larger rhetorical studies in American&lt;/p&gt;&lt;p&gt;colleges and universities has narrowed the scope of rhetorical training our students&lt;/p&gt;&lt;p&gt;receive, most notably excluding the political and social dimensions of persuasion. This&lt;/p&gt;&lt;p&gt;dissertation is an attempt to recover the larger political and civic scope that was the&lt;/p&gt;&lt;p&gt;original focus of rhetoric. I join a growing chorus of voices seeking to bring classroom&lt;/p&gt;&lt;p&gt;practice to bear on the larger social and civic lives of our students. My approach is&lt;/p&gt;&lt;p&gt;original in that it blends classical rhetoric with contemporary ideological theory to derive&lt;/p&gt;&lt;p&gt;a pedagogy that will allow students to see the importance of rhetoric and persuasion in&lt;/p&gt;&lt;p&gt;their lives and provide them with a techne, a set of skills that can be used to analyze and&lt;/p&gt;&lt;p&gt;generate discourse for a variety of audiences, including academic ones.&lt;/p&gt;&lt;p&gt;I begin by showing that current-traditional composition methodologies and&lt;/p&gt;&lt;p&gt;theories do not allow for students to productively generate social and civic discourse, a&lt;/p&gt;&lt;p&gt;significant change in rhetoric study. Because of the lack of civic and ideological focus,&lt;/p&gt;&lt;p&gt;students tend to parrot the arguments they are exposed to without truly examining their&lt;/p&gt;&lt;p&gt;underlying principles. The origin of this &quot;formalist&quot; approach lies in the peculiar&lt;/p&gt;&lt;p&gt;response to an expanding student population and a new model of the university that&lt;/p&gt;&lt;p&gt;began to take shape in The United States in the nineteenth century. Increasingly undertrained&lt;/p&gt;&lt;p&gt;students were faced with a curriculum that demanded an ever-increasing&lt;/p&gt;&lt;p&gt;specialization of its scholars. As a result, remedial efforts at training newer students to&lt;/p&gt;&lt;p&gt;write &quot;academic&quot; prose became standard practice.&lt;/p&gt;&lt;p&gt;As an alternative, I propose a composition course based on classical rhetorical&lt;/p&gt;&lt;p&gt;principles. Concepts such as ethos, pathos, and logos; decorum; enthymemic reasoning;&lt;/p&gt;&lt;p&gt;and audience analysis are central to argumentation in both the contemporary era and in&lt;/p&gt;&lt;p&gt;the classical age. However, contemporary understandings of ideology as the underlying&lt;/p&gt;&lt;p&gt;motivation for most human belief and behavior must be taken into consideration. By&lt;/p&gt;&lt;p&gt;incorporating contemporary ideological theory into classical rhetorical theory, this project&lt;/p&gt;&lt;p&gt;will provide a pedagogical model that will allow students to participate more fully in the&lt;/p&gt;&lt;p&gt;civic arena, and give them a set of skills that can be used in academic settings, thus&lt;/p&gt;&lt;p&gt;remaining true to the larger civic nature of rhetoric, while fulfilling institutional goals for&lt;/p&gt;&lt;p&gt;composition classes.&lt;/p&gt;","abstract_has_math":false,"creators":["Braud, Donovan Sean"],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-01-01T08:00:00Z","date_published":"2010-01-01T08:00:00Z","updated_at":"2026-07-24T02:55:08Z","subjects":["Classical Rhetoric","Composition","Ideology","Rhetoric","Rhetoric and Composition"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://ecommons.luc.edu/luc_diss/167","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Braud, Donovan Sean"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2016-03-31T17:08:36Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Classical Rhetoric","Composition","Ideology","Rhetoric","Rhetoric and Composition"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://ecommons.luc.edu/luc_diss/167"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>The development of \"composition\" out of larger rhetorical studies in American</p><p>colleges and universities has narrowed the scope of rhetorical training our students</p><p>receive, most notably excluding the political and social dimensions of persuasion. This</p><p>dissertation is an attempt to recover the larger political and civic scope that was the</p><p>original focus of rhetoric. I join a growing chorus of voices seeking to bring classroom</p><p>practice to bear on the larger social and civic lives of our students. My approach is</p><p>original in that it blends classical rhetoric with contemporary ideological theory to derive</p><p>a pedagogy that will allow students to see the importance of rhetoric and persuasion in</p><p>their lives and provide them with a techne, a set of skills that can be used to analyze and</p><p>generate discourse for a variety of audiences, including academic ones.</p><p>I begin by showing that current-traditional composition methodologies and</p><p>theories do not allow for students to productively generate social and civic discourse, a</p><p>significant change in rhetoric study. Because of the lack of civic and ideological focus,</p><p>students tend to parrot the arguments they are exposed to without truly examining their</p><p>underlying principles. The origin of this \"formalist\" approach lies in the peculiar</p><p>response to an expanding student population and a new model of the university that</p><p>began to take shape in The United States in the nineteenth century. Increasingly undertrained</p><p>students were faced with a curriculum that demanded an ever-increasing</p><p>specialization of its scholars. As a result, remedial efforts at training newer students to</p><p>write \"academic\" prose became standard practice.</p><p>As an alternative, I propose a composition course based on classical rhetorical</p><p>principles. Concepts such as ethos, pathos, and logos; decorum; enthymemic reasoning;</p><p>and audience analysis are central to argumentation in both the contemporary era and in</p><p>the classical age. However, contemporary understandings of ideology as the underlying</p><p>motivation for most human belief and behavior must be taken into consideration. By</p><p>incorporating contemporary ideological theory into classical rhetorical theory, this project</p><p>will provide a pedagogical model that will allow students to participate more fully in the</p><p>civic arena, and give them a set of skills that can be used in academic settings, thus</p><p>remaining true to the larger civic nature of rhetoric, while fulfilling institutional goals for</p><p>composition classes.</p>"]},{"key":"dc:title","label":"Title","values":["Radicis: Ideology, Argument, and Composition Courses in American Colleges"]}]}],"canonical_facts":{"dc:creator":["Braud, Donovan Sean"],"dc:date.available":["2016-03-31T17:08:36Z"],"dc:description.abstract":["<p>The development of \"composition\" out of larger rhetorical studies in American</p><p>colleges and universities has narrowed the scope of rhetorical training our students</p><p>receive, most notably excluding the political and social dimensions of persuasion. This</p><p>dissertation is an attempt to recover the larger political and civic scope that was the</p><p>original focus of rhetoric. I join a growing chorus of voices seeking to bring classroom</p><p>practice to bear on the larger social and civic lives of our students. My approach is</p><p>original in that it blends classical rhetoric with contemporary ideological theory to derive</p><p>a pedagogy that will allow students to see the importance of rhetoric and persuasion in</p><p>their lives and provide them with a techne, a set of skills that can be used to analyze and</p><p>generate discourse for a variety of audiences, including academic ones.</p><p>I begin by showing that current-traditional composition methodologies and</p><p>theories do not allow for students to productively generate social and civic discourse, a</p><p>significant change in rhetoric study. Because of the lack of civic and ideological focus,</p><p>students tend to parrot the arguments they are exposed to without truly examining their</p><p>underlying principles. The origin of this \"formalist\" approach lies in the peculiar</p><p>response to an expanding student population and a new model of the university that</p><p>began to take shape in The United States in the nineteenth century. Increasingly undertrained</p><p>students were faced with a curriculum that demanded an ever-increasing</p><p>specialization of its scholars. As a result, remedial efforts at training newer students to</p><p>write \"academic\" prose became standard practice.</p><p>As an alternative, I propose a composition course based on classical rhetorical</p><p>principles. Concepts such as ethos, pathos, and logos; decorum; enthymemic reasoning;</p><p>and audience analysis are central to argumentation in both the contemporary era and in</p><p>the classical age. However, contemporary understandings of ideology as the underlying</p><p>motivation for most human belief and behavior must be taken into consideration. By</p><p>incorporating contemporary ideological theory into classical rhetorical theory, this project</p><p>will provide a pedagogical model that will allow students to participate more fully in the</p><p>civic arena, and give them a set of skills that can be used in academic settings, thus</p><p>remaining true to the larger civic nature of rhetoric, while fulfilling institutional goals for</p><p>composition classes.</p>"],"dc:identifier":["https://ecommons.luc.edu/luc_diss/167"],"dc:subject":["Classical Rhetoric","Composition","Ideology","Rhetoric","Rhetoric and Composition"],"dc:title":["Radicis: Ideology, Argument, and Composition Courses in American Colleges"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-24T02:55:08Z"}