{"id":{"repo_id":"lethbridge","oai_identifier":"oai:opus.uleth.ca:10133/7146"},"canonical_url":"https://search.dev.ndltd.org/etd/lethbridge/oai:opus.uleth.ca:10133/7146","repository":{"repo_id":"lethbridge","name":"University of Lethbridge","base_url":"https://opus.uleth.ca/server/oai/request"},"display":{"title":"As we hold space, together: Cherokee pottery and our enduring presence","abstract":"This dissertation considers earthwork mounds and the contemporary history of Cherokee Nation of Oklahoma pottery and its production both as land(scape) and an expression of our relationships to land and place. My work is an embodied inquiry of these the relationships between physical Indigenous land and concepts of place specificity as expressed through and imbued in pottery and ancient earthworks. Within this work I also argue that the creation of ancient pottery exemplifies the ways in which our ancestors utilized technological-ecological knowledge and transferred this knowledge to successive generations. My work is guided by my adherence to a critical Indigenous citational practice. It is my position that Indigenous art history must make ‘place’ an imperative part of our narratives and discourse about art and makers as a means of countering mainstream narratives about us.","abstract_html":"This dissertation considers earthwork mounds and the contemporary history of Cherokee Nation of Oklahoma pottery and its production both as land(scape) and an expression of our relationships to land and place. My work is an embodied inquiry of these the relationships between physical Indigenous land and concepts of place specificity as expressed through and imbued in pottery and ancient earthworks. Within this work I also argue that the creation of ancient pottery exemplifies the ways in which our ancestors utilized technological-ecological knowledge and transferred this knowledge to successive generations. My work is guided by my adherence to a critical Indigenous citational practice. It is my position that Indigenous art history must make ‘place’ an imperative part of our narratives and discourse about art and makers as a means of countering mainstream narratives about us.","abstract_has_math":false,"creators":["Tiger, Yvonne N.","University of Lethbridge. Faculty of Arts and Science"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-09-11","date_published":"2025-09-11","updated_at":"2026-07-27T20:02:41Z","subjects":["Cherokee","Pottery","Indigenous","Citational practice","Indigenous art","Earthworks","Moundbuilders","Customary art","Oklahoma","Knowledge transfer","Land","Embodied place","Relationality","Kinship","Lisa Rutherford","Anna Belle Sixkiller Mitchell","Cherokee Arts Center","Clay"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10133/7146"],"render_values":[{"text":"hdl:10133/7146","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2025-09-11"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Cherokee","Pottery","Indigenous","Citational practice","Indigenous art","Earthworks","Moundbuilders","Customary art","Oklahoma","Knowledge transfer","Land","Embodied place","Relationality","Kinship","Lisa Rutherford","Anna Belle Sixkiller Mitchell","Cherokee Arts Center","Clay"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10133/7146"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["This dissertation considers earthwork mounds and the contemporary history of Cherokee Nation of Oklahoma pottery and its production both as land(scape) and an expression of our relationships to land and place. My work is an embodied inquiry of these the relationships between physical Indigenous land and concepts of place specificity as expressed through and imbued in pottery and ancient earthworks. Within this work I also argue that the creation of ancient pottery exemplifies the ways in which our ancestors utilized technological-ecological knowledge and transferred this knowledge to successive generations. My work is guided by my adherence to a critical Indigenous citational practice. It is my position that Indigenous art history must make ‘place’ an imperative part of our narratives and discourse about art and makers as a means of countering mainstream narratives about us."]},{"key":"dc:title","label":"Title","values":["As we hold space, together: Cherokee pottery and our enduring presence"]}]}],"canonical_facts":{"dc:date.issued":["2025-09-11"],"dc:description.other":["This dissertation considers earthwork mounds and the contemporary history of Cherokee Nation of Oklahoma pottery and its production both as land(scape) and an expression of our relationships to land and place. My work is an embodied inquiry of these the relationships between physical Indigenous land and concepts of place specificity as expressed through and imbued in pottery and ancient earthworks. Within this work I also argue that the creation of ancient pottery exemplifies the ways in which our ancestors utilized technological-ecological knowledge and transferred this knowledge to successive generations. My work is guided by my adherence to a critical Indigenous citational practice. It is my position that Indigenous art history must make ‘place’ an imperative part of our narratives and discourse about art and makers as a means of countering mainstream narratives about us."],"dc:identifier":["hdl:10133/7146"],"dc:subject":["Cherokee","Pottery","Indigenous","Citational practice","Indigenous art","Earthworks","Moundbuilders","Customary art","Oklahoma","Knowledge transfer","Land","Embodied place","Relationality","Kinship","Lisa Rutherford","Anna Belle Sixkiller Mitchell","Cherokee Arts Center","Clay"],"dc:title":["As we hold space, together: Cherokee pottery and our enduring presence"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T20:02:41Z"}