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University of Lethbridge

Open doors and parallel windows : timbre, gesture, and affective response in electroacoustic music

Abstract

The ability to evoke meaning and emotion through sound is a powerful feature of electroacoustic music. Research in the areas of music psychology and cognition suggest that timbre, the elicitation of physical gestures, and familiarity may influence how a listener comprehends sound and draws meaning from music. By synthesizing research in the areas of electroacoustic music and music cognition, I formulated two propositions. The first suggests that timbre characteristics may be leveraged to elicit emotional response and past experiences. The second suggests that sound can be used to reference physical gestures and activate empathic responses in a listener. I composed a new three- movement work, entitled Open Doors and Parallel Windows, exploring how my two propositions can function as tools to assist the composer to increase affective response and be the conceptual basis for new works.

Author and committee

dc:creator, dc:contributor.*
Authors
  • Martin, Jonathan
  • University of Lethbridge. Faculty of Fine Arts

Subjects

dc:subject × 6

Identifiers

dc:identifier.*
Identifier
hdl:10133/4927
OAI identifier oai:identifier
oai:opus.uleth.ca:10133/4927

Chain of custody

source
Harvested from
University of Lethbridge
Base URL
opus.uleth.ca/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Martin, Jonathan; University of Lethbridge. Faculty of Fine Arts. Open doors and parallel windows : timbre, gesture, and affective response in electroacoustic music. 2017.