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University of Lethbridge

"Lipstick and leather" : recontextualizations of glam metal's style and signification

Abstract

Drawing from the methodologies of critical discourse and semiotic analysis, this study situates the recent return of glam metal style to reality television shows and commercial advertising in broader social practices by considering what attributes of contemporary culture might complement provisional identification with an extinguished subcultural style. Analysis of 1980s music videos identified three key devices, including: recruitment into a negatively defined community; social institutional critique; and carnivalesque reversals of power. In contrast, narratives portrayed in contemporary iterations of glam metal focused on family values, hope, and change. While 1980s videos revealed that the glam metal subcultural style relied upon the shared rejection of values to define group identity, contemporary iterations of the glam metal style emphasize the commonly held values of mature neoliberalism and do not assume group identification. Rather, the style is presented for viewers whose identities are presumed to be mobile and versatile.

Author and committee

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Authors
  • Kummer, Jenna
  • University of Lethbridge. Faculty of Arts and Science

Subjects

dc:subject × 6

Identifiers

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Identifier
hdl:10133/4490
OAI identifier oai:identifier
oai:opus.uleth.ca:10133/4490

Chain of custody

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University of Lethbridge
Base URL
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Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Kummer, Jenna; University of Lethbridge. Faculty of Arts and Science. "Lipstick and leather" : recontextualizations of glam metal's style and signification. 2016.