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Lancaster University

The language of self-talk in Shakespeare's plays

Abstract

dc:description.abstract

This thesis reports an original approach to the language of self-talk in Shakespeare’s plays. Having established that self-talk is a form of discourse worthy of study, and potentially distinguishable from dialogue in terms of language, I ask two questions: 1. What is the nature of self-talk? 2. What language forms are characteristic of self-talk? The second question is really a subsidiary of the first in that it focuses specifically on the linguistic nature of self-talk. In Chapter 2, I begin to answer these questions by drawing on theories in stylistics, (im)politeness, literary criticism and methods employed in corpus linguistics. In doing so, I show how this research breaks new ground by approaching the language of self-talk from innovative angles, for example, by building and studying a corpus of self-talk. Chapter 3 describes the construction of this corpus, together with a dialogue corpus against which to compare the former. Chapters 4 and 5 address the first question. In Chapter 4, qualitative analysis of the self-talk corpus provides insights into the nature of self-talk as discourse, showing, for example, how speakers may linguistically split themselves in two. The focus in Chapter 5 shifts to theories of (im)politeness, and the ways in which self-talkers use linguistic strategies to justify their own social value, or even attack it by being impolite to themselves. Chapter 6 addresses the second question by using automatic analysis of the self-talk corpus, in conjunction with the dialogue corpus, to reveal characteristic language forms. Among others, these include DREAM, EYES, NATURE, and COMES. Chapter 7 uncovers characteristic combinations such as AND YET, I AM and I WILL. Self-talk in comedy, history and tragedy is typified by words such as LOVE, KING and GODS respectively.

Degree

thesis:*
Name dc:type.qualificationname
Ph.D.
Level dc:type.qualificationlevel
doctoral
Grantor dc:publisher.institution
Lancaster University
Year dc:date.issued
2014

Author and committee

dc:creator, dc:contributor.*
Authors dc:creator
  • Murphy, Sean Edward
  • Culpeper, Jonathan

Chain of custody

source
Harvested from
Lancaster University
Base URL
eprints.lancs.ac.uk/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Murphy, Sean Edward; Culpeper, Jonathan. The language of self-talk in Shakespeare's plays. doctoral thesis, Lancaster University, 2014.