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Lancaster University

Theorising Turkish Gothic : National Identity, Ideology and the Gothic

Abstract

dc:description.abstract

Despite increasing critical interest in Gothic in non-Western cultures, Turkish Gothic writing remains an undiscovered area of research within worldwide Gothic studies. My thesis fills this gap by bringing together Glennis Byron’s concept of ‘globalgothic’, historically informed understandings of the Gothic and Turkish national identity to theorise Turkish Gothic as a mode intimately linked to the ideological processes of Turkish identity construction. Central to this thesis is the understanding of Turkish national identity as a fragmented construct due to Turkey’s ambivalent relationship with the West over the centuries and its commonly referenced role as a bridge between the West and the East. Accordingly, the thesis begins by positioning Turkey in relation to its historical and cultural ties to the Western Gothic tradition. I reveal the origins of the multidirectional flows of globalgothic between Western and Turkish Gothic traditions, through the examination of selected works from British and American cultures depicting Turkish identity through a Gothic lens. Thereafter, taking particular times of political and social change in Turkey into account, I focus on novels and films from 1923 to 2017, with regards to their employment and transformation of Western Gothic tropes using discussions of Turkish national identity. I argue that Turkish Gothic manifests the nation’s anxieties concerning the in-betweenness of Turkish national identity and its ideological repercussions as being either Western and secular or Eastern and conservative. In doing so, the Gothic in Turkey interchangeably becomes a counternarrative for both ideologies, each demonising and undermining the other, and therefore representing the tension between two poles of the political spectrum in contemporary Turkey. As the definitions of Turkish national identity change according to the emerging political stresses in Turkey, Turkish Gothic will continue to haunt its audiences with the dark undersides of Turkishness.

Degree

thesis:*
Name dc:type.qualificationname
Ph.D.
Level dc:type.qualificationlevel
doctoral
Grantor dc:publisher.institution
Lancaster University
Year dc:date.issued
2018

Author and committee

dc:creator, dc:contributor.*
Authors dc:creator
  • Bicakci Syed, Tugce
  • Spooner, Catherine

Chain of custody

source
Harvested from
Lancaster University
Base URL
eprints.lancs.ac.uk/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Bicakci Syed, Tugce; Spooner, Catherine. Theorising Turkish Gothic : National Identity, Ideology and the Gothic. doctoral thesis, Lancaster University, 2018.