{"id":{"repo_id":"ku","oai_identifier":"oai:kuscholarworks.ku.edu:1808/39553"},"canonical_url":"https://search.dev.ndltd.org/etd/ku/oai:kuscholarworks.ku.edu:1808/39553","repository":{"repo_id":"ku","name":"University of Kansas","base_url":"https://kuscholarworks.ku.edu/server/oai/request"},"display":{"title":"A Performance Guide of George Crumb’s Metamorphoses Book II, for Amplified Piano with Critical Perspectives on its Visual Inspirations","abstract":"This paper examines George Crumb’s Metamorphoses, Book II through the relationshipsbetween musical interpretation, visual art, and representation of artists within the classical canon. Through score analysis, performance study, and interdisciplinary comparison, the paper explores how Crumb translates visual imagery into music. The study addresses the Eurocentric and predominantly male focus of the paintings chosen for Metamorphoses, arguing that alternative visual frameworks that are more inclusive of women and broader in representation, can expand possibilities for performers and scholars alike. Furthermore, the paper includes a previously unpublished letter by Crumb that offers insight into his artistic process and selection of artworks.","abstract_html":"This paper examines George Crumb’s Metamorphoses, Book II through the relationshipsbetween musical interpretation, visual art, and representation of artists within the classical canon. Through score analysis, performance study, and interdisciplinary comparison, the paper explores how Crumb translates visual imagery into music. The study addresses the Eurocentric and predominantly male focus of the paintings chosen for Metamorphoses, arguing that alternative visual frameworks that are more inclusive of women and broader in representation, can expand possibilities for performers and scholars alike. Furthermore, the paper includes a previously unpublished letter by Crumb that offers insight into his artistic process and selection of artworks.","abstract_has_math":false,"creators":["Winkelmolen, Veerle"],"institution":"University of Kansas","degree_name":"D.M.A.","degree_level":null,"degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Chen, Yi-Yang"],"committee_chairs":[],"committee_members":[],"year":2026,"date_issued":"2026-05-31","date_published":"2026-05-31","updated_at":"2026-07-24T02:45:42Z","subjects":[],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["https://www.proquest.com/LegacyDocView/DISSNUM/32703517"],"render_values":[{"text":"https://www.proquest.com/LegacyDocView/DISSNUM/32703517","href":"https://www.proquest.com/LegacyDocView/DISSNUM/32703517","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/1808/39553","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Chen, Yi-Yang"]},{"key":"dc:creator","label":"Author","values":["Winkelmolen, Veerle"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2026-07-21T21:12:06Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-07-21T21:12:06Z"]},{"key":"dc:date.issued","label":"Date","values":["2026-05-31"]},{"key":"dc:publisher","label":"Institution","values":["University of Kansas"]},{"key":"dc:type","label":"Dc Type","values":["Dissertation"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["https://www.proquest.com/LegacyDocView/DISSNUM/32703517"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/1808/39553"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This paper examines George Crumb’s Metamorphoses, Book II through the relationshipsbetween musical interpretation, visual art, and representation of artists within the classical canon. 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The study addresses the Eurocentric and predominantly male focus of the paintings chosen for Metamorphoses, arguing that alternative visual frameworks that are more inclusive of women and broader in representation, can expand possibilities for performers and scholars alike. Furthermore, the paper includes a previously unpublished letter by Crumb that offers insight into his artistic process and selection of artworks."],"dc:identifier.other":["https://www.proquest.com/LegacyDocView/DISSNUM/32703517"],"dc:identifier.uri":["https://hdl.handle.net/1808/39553"],"dc:language.iso":["en"],"dc:publisher":["University of Kansas"],"dc:title":["A Performance Guide of George Crumb’s Metamorphoses Book II, for Amplified Piano with Critical Perspectives on its Visual Inspirations"],"dc:type":["Dissertation"],"thesis:degree_discipline":["Music"],"thesis:degree_name":["D.M.A."]},"updated_at":"2026-07-24T02:45:42Z"}