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University of Kansas

Mystical Soundscapes: Performance Guide to Rautavaara’s Etudes, Op. 42

Abstract

dc:description.abstract

This document examines Einojuhani Rautavaara’s Etudes, Op. 42 (1969) from a performance perspective. Although Rautavaara’s orchestral and choral works have received substantial scholarly and public attention, his solo piano music has received comparatively little performance-based study. As his only set of piano etudes, Etudes, Op. 42 occupies an important place in both his piano output and his stylistic development.This study combines background research on Rautavaara’s life, musical language, and piano works with a performance guide to the six etudes, drawing on the author’s own study and performance experience to address issues directly related to performance. It argues that the Etudes, Op. 42 should be understood not only as a set of technical studies, but also as a group of concert works with distinct musical identities. The document aims to clarify the technical and musical demands of the Etudes, Op. 42 and to demonstrate its value as both performance repertoire and pedagogical material.

Degree

thesis:*
Name thesis:degree_name
D.M.A.
Discipline thesis:degree_discipline
Music
Grantor dc:publisher
University of Kansas
Year dc:date.issued
2026

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Xu, Zhengyu
Advisor dc:contributor.advisor
  • Smith, Scott

Rights

Language dc:language.iso
en

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:kuscholarworks.ku.edu:1808/39550

Chain of custody

source
Harvested from
University of Kansas
Base URL
kuscholarworks.ku.edu/server/oai/request
Last updated
2026-07-24
Source record
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citation

Xu, Zhengyu. Mystical Soundscapes: Performance Guide to Rautavaara’s Etudes, Op. 42. University of Kansas, 2026. https://hdl.handle.net/1808/39550