Abstract
dc:description.abstractThe Murderess is a one-act, hour-long chamber opera inspired by true crime. It is a woman-focused story featuring three female singers and one tenor, and it is scored for Pierrot ensemble: flute, clarinet, violin, cello, piano, and percussion. The original libretto by Trip Venturella tells the story of a nurse, inspired by the nineteenth-century American serial killer Jane Toppan, who plans to poison her elderly patient with strychnine. In a twist ending, Jane’s elderly patient is given agency by revealing that she hired Jane to end her life. Thus, the opera dives into questions of morality and explores the implications of physician-assisted suicide. The Murderess is full of suspenseful music and many bittersweet moments. Recurring motifs are used to create musical foreshadowing, and the opera features several arias suitable for standalone performance.
Degree
thesis:*- Grantor dc:publisher
- University of Kansas
- Year dc:date.issued
- 2021
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- McIntosh, Allison June
- Advisor dc:contributor.advisor
-
- Stölzel, Ingrid
Subjects
dc:subject × 6Rights
dc:rights- Statement dc:rights
-
- Copyright held by the author.
- Language dc:language.iso
- en
Identifiers
dc:identifier.*- Dc Identifier Other
- http://dissertations.umi.com/ku:17689
- OAI identifier oai:identifier
- oai:kuscholarworks.ku.edu:1808/39139