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University of Kansas

JUST SEE: AN ANALYSIS INTO THE CULTURAL DUALITY OF THE MUSIC OF REENA ESMAIL

Abstract

dc:description.abstract

With combinations of music from multiple cultures becoming mainstream, having a holistic approach to the music is extremely helpful for quality performance. With the music of Reena Esmail, learning more about her life’s journey, as well as the fundamentals of Hindustani music that she uses in her compositions, is vital to a thoughtful and thought-provoking performance. In this era of multiculturalism, having the cultural sensitivity of a world citizen is imperative to the elevation of our craft. By examining many interviews and discussions, I pieced together a biography of Reena’s life and compositional development, and of her connections with Hindustani music as she blended her personal and professional worlds. I analyzed the fundamentals of Hindustani music and applied them to her duet Nadiya and quintet The Light is the Same. I described aspects of Hindustani music theory such as the melodic raags, the rhythmic taal, Hindustani ornamentations, and formal elements like the alaap, relating them to Western theory where possible. I provide detailed analyses of her works Nadiya and The Light is the Same in the context of those elements of Hindustani theory. It is my hope that this document will help musicians in the future perform the works of Reena Esmail and other Hindustani-influenced composers with a little more understanding of the Hindustani music theory within such works. As we work to grow in better directions after a past full of colonialism and cultural appropriation, it is essential that we strive instead for cultural appreciation. Reena Esmail’s work is beautiful and groundbreaking music that deserves to be performed frequently, knowledgably, and appreciatively.

Degree

thesis:*
Grantor dc:publisher
University of Kansas
Year dc:date.issued
2024

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Morris, James Ryan
Advisors dc:contributor.advisor
  • Nedbal, Martin
  • Velasco, Daniel

Subjects

dc:subject × 4

Rights

Language dc:language.iso
en

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:kuscholarworks.ku.edu:1808/38395

Chain of custody

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Harvested from
University of Kansas
Base URL
kuscholarworks.ku.edu/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
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citation

Morris, James Ryan. JUST SEE: AN ANALYSIS INTO THE CULTURAL DUALITY OF THE MUSIC OF REENA ESMAIL. University of Kansas, 2024. https://hdl.handle.net/1808/38395