{"id":{"repo_id":"ku","oai_identifier":"oai:kuscholarworks.ku.edu:1808/25395"},"canonical_url":"https://search.dev.ndltd.org/etd/ku/oai:kuscholarworks.ku.edu:1808/25395","repository":{"repo_id":"ku","name":"University of Kansas","base_url":"https://kuscholarworks.ku.edu/server/oai/request"},"display":{"title":"Selected Violin Works of Alan Scott ‘Vaness’ Chakmakjian Hovhaness: Two New Performance Editions with Historical Discussion, Compositional Style Overviews, and Pedagogical Considerations","abstract":"This DMA document introduces new performance editions of Alan Scott ‘Vaness’ Chakmakjian Hovhaness’s Khirgiz Suite, Op. 73, No. 1 (1951) and the Three Visions of Saint Mesrob, Op. 198 (1962). The new editions created for this document supply violinists with usable performance copies, greatly increasing the likelihood of their future performance. In addition, historical discussion, compositional style overviews, and pedagogical considerations are presented for these pieces. Finally, a detailed list of Hovhaness’s violin compositions and information about where they may be purchased has been provided. Primarily, the purpose of this study was to provide an overview of the violin works of Alan Hovhaness to violinists, musicologists, and string pedagogues. The goal was to explore the literature, so that its usefulness could be explained to the string community. The conclusion is that these compositions have great historic, compositional, and pedagogical value. It is also determined that they may be performed successfully at the pre-college and early collegiate levels, providing supplementary training repertoire of a wide range of twentieth-century compositional styles.","abstract_html":"This DMA document introduces new performance editions of Alan Scott ‘Vaness’ Chakmakjian Hovhaness’s Khirgiz Suite, Op. 73, No. 1 (1951) and the Three Visions of Saint Mesrob, Op. 198 (1962). The new editions created for this document supply violinists with usable performance copies, greatly increasing the likelihood of their future performance. In addition, historical discussion, compositional style overviews, and pedagogical considerations are presented for these pieces. Finally, a detailed list of Hovhaness’s violin compositions and information about where they may be purchased has been provided. Primarily, the purpose of this study was to provide an overview of the violin works of Alan Hovhaness to violinists, musicologists, and string pedagogues. The goal was to explore the literature, so that its usefulness could be explained to the string community. The conclusion is that these compositions have great historic, compositional, and pedagogical value. It is also determined that they may be performed successfully at the pre-college and early collegiate levels, providing supplementary training repertoire of a wide range of twentieth-century compositional styles.","abstract_has_math":false,"creators":["Okesson, Katherine Anne"],"institution":"University of Kansas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Mathieu, Véronique"],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-05-31","date_published":"2017-05-31","updated_at":"2026-07-24T02:45:42Z","subjects":["Music","Music education","Alan Hovhaness","Hovhaness","string pedagogy","Violin","Violinists","violin pedagogy"],"languages":["en"],"rights":["Copyright held by the author."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:15164"],"render_values":[{"text":"http://dissertations.umi.com/ku:15164","href":"http://dissertations.umi.com/ku:15164","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/1808/25395","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Mathieu, Véronique"]},{"key":"dc:creator","label":"Author","values":["Okesson, Katherine Anne"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2017-11-16T04:37:08Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2017-11-16T04:37:08Z"]},{"key":"dc:date.issued","label":"Date","values":["2017-05-31"]},{"key":"dc:publisher","label":"Institution","values":["University of Kansas"]},{"key":"dc:type","label":"Dc Type","values":["Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Music education","Alan Hovhaness","Hovhaness","string pedagogy","Violin","Violinists","violin pedagogy"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright held by the author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:15164"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1808/25395"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This DMA document introduces new performance editions of Alan Scott ‘Vaness’ Chakmakjian Hovhaness’s Khirgiz Suite, Op. 73, No. 1 (1951) and the Three Visions of Saint Mesrob, Op. 198 (1962). The new editions created for this document supply violinists with usable performance copies, greatly increasing the likelihood of their future performance. In addition, historical discussion, compositional style overviews, and pedagogical considerations are presented for these pieces. Finally, a detailed list of Hovhaness’s violin compositions and information about where they may be purchased has been provided. Primarily, the purpose of this study was to provide an overview of the violin works of Alan Hovhaness to violinists, musicologists, and string pedagogues. The goal was to explore the literature, so that its usefulness could be explained to the string community. The conclusion is that these compositions have great historic, compositional, and pedagogical value. It is also determined that they may be performed successfully at the pre-college and early collegiate levels, providing supplementary training repertoire of a wide range of twentieth-century compositional styles."]},{"key":"dc:title","label":"Title","values":["Selected Violin Works of Alan Scott ‘Vaness’ Chakmakjian Hovhaness: Two New Performance Editions with Historical Discussion, Compositional Style Overviews, and Pedagogical Considerations"]}]}],"canonical_facts":{"dc:contributor.advisor":["Mathieu, Véronique"],"dc:creator":["Okesson, Katherine Anne"],"dc:date.accessioned":["2017-11-16T04:37:08Z"],"dc:date.available":["2017-11-16T04:37:08Z"],"dc:date.issued":["2017-05-31"],"dc:description.abstract":["This DMA document introduces new performance editions of Alan Scott ‘Vaness’ Chakmakjian Hovhaness’s Khirgiz Suite, Op. 73, No. 1 (1951) and the Three Visions of Saint Mesrob, Op. 198 (1962). The new editions created for this document supply violinists with usable performance copies, greatly increasing the likelihood of their future performance. In addition, historical discussion, compositional style overviews, and pedagogical considerations are presented for these pieces. Finally, a detailed list of Hovhaness’s violin compositions and information about where they may be purchased has been provided. Primarily, the purpose of this study was to provide an overview of the violin works of Alan Hovhaness to violinists, musicologists, and string pedagogues. The goal was to explore the literature, so that its usefulness could be explained to the string community. The conclusion is that these compositions have great historic, compositional, and pedagogical value. It is also determined that they may be performed successfully at the pre-college and early collegiate levels, providing supplementary training repertoire of a wide range of twentieth-century compositional styles."],"dc:identifier.other":["http://dissertations.umi.com/ku:15164"],"dc:identifier.uri":["http://hdl.handle.net/1808/25395"],"dc:language.iso":["en"],"dc:publisher":["University of Kansas"],"dc:rights":["Copyright held by the author."],"dc:subject":["Music","Music education","Alan Hovhaness","Hovhaness","string pedagogy","Violin","Violinists","violin pedagogy"],"dc:title":["Selected Violin Works of Alan Scott ‘Vaness’ Chakmakjian Hovhaness: Two New Performance Editions with Historical Discussion, Compositional Style Overviews, and Pedagogical Considerations"],"dc:type":["Dissertation"]},"updated_at":"2026-07-24T02:45:42Z"}