{"id":{"repo_id":"ku","oai_identifier":"oai:kuscholarworks.ku.edu:1808/21935"},"canonical_url":"https://search.dev.ndltd.org/etd/ku/oai:kuscholarworks.ku.edu:1808/21935","repository":{"repo_id":"ku","name":"University of Kansas","base_url":"https://kuscholarworks.ku.edu/server/oai/request"},"display":{"title":"Early Music Reimagined For Clarinet Consorts","abstract":"Early music for instrumental consorts dates back to the 16th century. Clarinet choirs have existed only since the last decade of the 19th century. About three hundred years worth of consort music remains untouched by clarinetists. As a result, these arrangements are severely underrepresented in the clarinet choir repertoire. This project reimagines six pieces of early music, placing the clarinet backwards in time when it was a nonexistent instrument. Mainly focusing on genres from the Renaissance and Baroque, this document addresses performance practice issues for the performing clarinet consort. The selections span a variety of early genres from antiphonal choir, galliard, bransle, trio sonata, passacaille, and symphony. Discussion of performance practice is tailored specifically for each piece including instrumentation, dynamics, articulation, and ornamentation. Historical context about the composer and their composition is also included in the project. Not only do these pieces add to the clarinet choir repertoire, they serve as a first step in ongoing work in expanding the early repertoire for this instrumentation.","abstract_html":"Early music for instrumental consorts dates back to the 16th century. Clarinet choirs have existed only since the last decade of the 19th century. About three hundred years worth of consort music remains untouched by clarinetists. As a result, these arrangements are severely underrepresented in the clarinet choir repertoire. This project reimagines six pieces of early music, placing the clarinet backwards in time when it was a nonexistent instrument. Mainly focusing on genres from the Renaissance and Baroque, this document addresses performance practice issues for the performing clarinet consort. The selections span a variety of early genres from antiphonal choir, galliard, bransle, trio sonata, passacaille, and symphony. Discussion of performance practice is tailored specifically for each piece including instrumentation, dynamics, articulation, and ornamentation. Historical context about the composer and their composition is also included in the project. Not only do these pieces add to the clarinet choir repertoire, they serve as a first step in ongoing work in expanding the early repertoire for this instrumentation.","abstract_has_math":false,"creators":["Goudlock, Tyler"],"institution":"University of Kansas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Pierce, Forrest","Zelnick, Stephanie"],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-05-31","date_published":"2016-05-31","updated_at":"2026-07-24T02:47:03Z","subjects":["Music","Performing arts","Arrangements","Baroque","Clarinet Choir","Early Music","Performance Practice","Renaissance"],"languages":["en"],"rights":["Copyright held by the author."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:14588"],"render_values":[{"text":"http://dissertations.umi.com/ku:14588","href":"http://dissertations.umi.com/ku:14588","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/1808/21935","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Pierce, Forrest","Zelnick, Stephanie"]},{"key":"dc:creator","label":"Author","values":["Goudlock, Tyler"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-11-11T00:33:10Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-11-11T00:33:10Z"]},{"key":"dc:date.issued","label":"Date","values":["2016-05-31"]},{"key":"dc:publisher","label":"Institution","values":["University of Kansas"]},{"key":"dc:type","label":"Dc Type","values":["Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Performing arts","Arrangements","Baroque","Clarinet Choir","Early Music","Performance Practice","Renaissance"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright held by the author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:14588"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1808/21935"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Early music for instrumental consorts dates back to the 16th century. Clarinet choirs have existed only since the last decade of the 19th century. About three hundred years worth of consort music remains untouched by clarinetists. As a result, these arrangements are severely underrepresented in the clarinet choir repertoire. This project reimagines six pieces of early music, placing the clarinet backwards in time when it was a nonexistent instrument. Mainly focusing on genres from the Renaissance and Baroque, this document addresses performance practice issues for the performing clarinet consort. The selections span a variety of early genres from antiphonal choir, galliard, bransle, trio sonata, passacaille, and symphony. Discussion of performance practice is tailored specifically for each piece including instrumentation, dynamics, articulation, and ornamentation. Historical context about the composer and their composition is also included in the project. Not only do these pieces add to the clarinet choir repertoire, they serve as a first step in ongoing work in expanding the early repertoire for this instrumentation."]},{"key":"dc:title","label":"Title","values":["Early Music Reimagined For Clarinet Consorts"]}]}],"canonical_facts":{"dc:contributor.advisor":["Pierce, Forrest","Zelnick, Stephanie"],"dc:creator":["Goudlock, Tyler"],"dc:date.accessioned":["2016-11-11T00:33:10Z"],"dc:date.available":["2016-11-11T00:33:10Z"],"dc:date.issued":["2016-05-31"],"dc:description.abstract":["Early music for instrumental consorts dates back to the 16th century. Clarinet choirs have existed only since the last decade of the 19th century. About three hundred years worth of consort music remains untouched by clarinetists. As a result, these arrangements are severely underrepresented in the clarinet choir repertoire. This project reimagines six pieces of early music, placing the clarinet backwards in time when it was a nonexistent instrument. Mainly focusing on genres from the Renaissance and Baroque, this document addresses performance practice issues for the performing clarinet consort. The selections span a variety of early genres from antiphonal choir, galliard, bransle, trio sonata, passacaille, and symphony. Discussion of performance practice is tailored specifically for each piece including instrumentation, dynamics, articulation, and ornamentation. Historical context about the composer and their composition is also included in the project. Not only do these pieces add to the clarinet choir repertoire, they serve as a first step in ongoing work in expanding the early repertoire for this instrumentation."],"dc:identifier.other":["http://dissertations.umi.com/ku:14588"],"dc:identifier.uri":["http://hdl.handle.net/1808/21935"],"dc:language.iso":["en"],"dc:publisher":["University of Kansas"],"dc:rights":["Copyright held by the author."],"dc:subject":["Music","Performing arts","Arrangements","Baroque","Clarinet Choir","Early Music","Performance Practice","Renaissance"],"dc:title":["Early Music Reimagined For Clarinet Consorts"],"dc:type":["Dissertation"]},"updated_at":"2026-07-24T02:47:03Z"}