Perfume of the Soul: Compositional Influences of Emile Naoumoff

Emile Naoumoff is a renowned Bulgarian pianist, composer, teacher and, most notably, the very last disciple of Nadia Boulanger. This document will analyze the four different periods of his compositional life: the early period, influenced by Slavic folk elements; the neoclassical period, from studies with Nadia Boulanger; the French art song period; and his current fascination with the art of improvisation. My main focus will be to define and analyze the distinct stylistic differences of each period and to explore Naoumoff's various influences and inspirations. Additionally, I will examine his use of harmony citing specific examples from his compositions and offering a brief analysis of representative pieces from each period. Despite the vastly different styles of these four periods, there is one overarching element that is apparent throughout his compositions: the frequent use of basso ostinato. Its use, according to Naoumoff, reflects the influence of Russian music, and this recurring element is seen repeatedly from his early Nocturne to his very latest improvisations.

Grantor dc:publisher

University of Kansas

Year dc:date.issued

2014

Author dc:creator

• Kim, Soojin

Advisor dc:contributor.advisor

• Spooner, Steven

• Music
• Emile
• Naoumoff
• Perfume of the soul
• Piano

Statement dc:rights

• This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.

Language dc:language.iso

en

Dc Identifier Other

http://dissertations.umi.com/ku:13332

OAI identifier oai:identifier

oai:kuscholarworks.ku.edu:1808/14875