{"id":{"repo_id":"ku","oai_identifier":"oai:kuscholarworks.ku.edu:1808/12344"},"canonical_url":"https://search.dev.ndltd.org/etd/ku/oai:kuscholarworks.ku.edu:1808/12344","repository":{"repo_id":"ku","name":"University of Kansas","base_url":"https://kuscholarworks.ku.edu/server/oai/request"},"display":{"title":"Selected Non-Indianist Works of Charles Sanford Skilton: The Witch's Daughter - A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918) and Electra - Music of the Electra of Sophocles, Composed for Women's Chorus and Orchestra (1920)","abstract":"Charles Sanford Skilton (1868-1941) is widely remembered as an exponent of the Indianist Movement in musical composition, which was important from about 1880 to 1920. Little investigation has been completed on his works outside of his Indianist interest, leaving many gaps in our knowledge of his music. While compiling materials for this thesis, it was observed that Skilton, now nearly forgotten as a serious art music composer, was well received as a composer, theorist, and pedagogue during his life. Much of his extant works are comparable to Indianist composers such as Arthur Farwell and Charles Wakefield Cadman. Skilton was known for more than just his Indianist works; his legacy as an American music pioneer is quite worthy of acknowledgement. This thesis examines Skilton's life, his compositions, public reception, and notable performances with specific focus on two selected works outside of his Indianist interest, The Witch's Daughter - A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918), and Electra - Music of the Electra of Sophocles, composed for Women's Chorus and Orchestra (1920). These works together shed light on attributes of Skilton's compositional style and his relation to composers of the same period.","abstract_html":"Charles Sanford Skilton (1868-1941) is widely remembered as an exponent of the Indianist Movement in musical composition, which was important from about 1880 to 1920. Little investigation has been completed on his works outside of his Indianist interest, leaving many gaps in our knowledge of his music. While compiling materials for this thesis, it was observed that Skilton, now nearly forgotten as a serious art music composer, was well received as a composer, theorist, and pedagogue during his life. Much of his extant works are comparable to Indianist composers such as Arthur Farwell and Charles Wakefield Cadman. Skilton was known for more than just his Indianist works; his legacy as an American music pioneer is quite worthy of acknowledgement. This thesis examines Skilton's life, his compositions, public reception, and notable performances with specific focus on two selected works outside of his Indianist interest, The Witch's Daughter - A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918), and Electra - Music of the Electra of Sophocles, composed for Women's Chorus and Orchestra (1920). These works together shed light on attributes of Skilton's compositional style and his relation to composers of the same period.","abstract_has_math":false,"creators":["Garren, Evelyn Adele"],"institution":"University of Kansas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Laird, Paul"],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-05-31","date_published":"2013-05-31","updated_at":"2026-07-24T02:46:40Z","subjects":["Music","Indianist","Skilton"],"languages":["en"],"rights":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:12601"],"render_values":[{"text":"http://dissertations.umi.com/ku:12601","href":"http://dissertations.umi.com/ku:12601","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/1808/12344","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Laird, Paul"]},{"key":"dc:creator","label":"Author","values":["Garren, Evelyn Adele"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2013-09-30T20:49:11Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2013-09-30T20:49:11Z"]},{"key":"dc:date.issued","label":"Date","values":["2013-05-31"]},{"key":"dc:publisher","label":"Institution","values":["University of Kansas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Indianist","Skilton"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:12601"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1808/12344"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Charles Sanford Skilton (1868-1941) is widely remembered as an exponent of the Indianist Movement in musical composition, which was important from about 1880 to 1920. Little investigation has been completed on his works outside of his Indianist interest, leaving many gaps in our knowledge of his music. While compiling materials for this thesis, it was observed that Skilton, now nearly forgotten as a serious art music composer, was well received as a composer, theorist, and pedagogue during his life. Much of his extant works are comparable to Indianist composers such as Arthur Farwell and Charles Wakefield Cadman. Skilton was known for more than just his Indianist works; his legacy as an American music pioneer is quite worthy of acknowledgement. This thesis examines Skilton's life, his compositions, public reception, and notable performances with specific focus on two selected works outside of his Indianist interest, The Witch's Daughter - A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918), and Electra - Music of the Electra of Sophocles, composed for Women's Chorus and Orchestra (1920). These works together shed light on attributes of Skilton's compositional style and his relation to composers of the same period."]},{"key":"dc:title","label":"Title","values":["Selected Non-Indianist Works of Charles Sanford Skilton: The Witch's Daughter - A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918) and Electra - Music of the Electra of Sophocles, Composed for Women's Chorus and Orchestra (1920)"]}]}],"canonical_facts":{"dc:contributor.advisor":["Laird, Paul"],"dc:creator":["Garren, Evelyn Adele"],"dc:date.accessioned":["2013-09-30T20:49:11Z"],"dc:date.available":["2013-09-30T20:49:11Z"],"dc:date.issued":["2013-05-31"],"dc:description.abstract":["Charles Sanford Skilton (1868-1941) is widely remembered as an exponent of the Indianist Movement in musical composition, which was important from about 1880 to 1920. Little investigation has been completed on his works outside of his Indianist interest, leaving many gaps in our knowledge of his music. While compiling materials for this thesis, it was observed that Skilton, now nearly forgotten as a serious art music composer, was well received as a composer, theorist, and pedagogue during his life. Much of his extant works are comparable to Indianist composers such as Arthur Farwell and Charles Wakefield Cadman. Skilton was known for more than just his Indianist works; his legacy as an American music pioneer is quite worthy of acknowledgement. This thesis examines Skilton's life, his compositions, public reception, and notable performances with specific focus on two selected works outside of his Indianist interest, The Witch's Daughter - A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918), and Electra - Music of the Electra of Sophocles, composed for Women's Chorus and Orchestra (1920). These works together shed light on attributes of Skilton's compositional style and his relation to composers of the same period."],"dc:identifier.other":["http://dissertations.umi.com/ku:12601"],"dc:identifier.uri":["http://hdl.handle.net/1808/12344"],"dc:language.iso":["en"],"dc:publisher":["University of Kansas"],"dc:rights":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."],"dc:subject":["Music","Indianist","Skilton"],"dc:title":["Selected Non-Indianist Works of Charles Sanford Skilton: The Witch's Daughter - A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918) and Electra - Music of the Electra of Sophocles, Composed for Women's Chorus and Orchestra (1920)"],"dc:type":["Thesis"]},"updated_at":"2026-07-24T02:46:40Z"}