{"id":{"repo_id":"ku","oai_identifier":"oai:kuscholarworks.ku.edu:1808/11713"},"canonical_url":"https://search.dev.ndltd.org/etd/ku/oai:kuscholarworks.ku.edu:1808/11713","repository":{"repo_id":"ku","name":"University of Kansas","base_url":"https://kuscholarworks.ku.edu/server/oai/request"},"display":{"title":"BOY","abstract":"The conception and production of BOY as a thesis exhibition is a personal genesis. \"Who am I\" \"Why have I become what I am? \", are the questions I asked myself upon embarking in the creation of BOY. By projecting once repressed, now active memories through a self-styled, provisional philosophical lens, I seek to gain an understanding of myself. This body of work serves as the interpretive evidence of that projection and forms a base from which to construct a series of realizations that aid in the development of an accepted identity. Thus, my sculptural investigations function as an exercise in self-actualization and realization. By applying the above thesis, I have begun to recognize and value elements in the works that arose as a result of my investigation. Symbolic representations of the dichotomous relationship between religiosity and sexuality constitute my personal narrative - the artist's voice - because they represent a conscious, intentional development and understanding of me.","abstract_html":"The conception and production of BOY as a thesis exhibition is a personal genesis. "Who am I" "Why have I become what I am? ", are the questions I asked myself upon embarking in the creation of BOY. By projecting once repressed, now active memories through a self-styled, provisional philosophical lens, I seek to gain an understanding of myself. This body of work serves as the interpretive evidence of that projection and forms a base from which to construct a series of realizations that aid in the development of an accepted identity. Thus, my sculptural investigations function as an exercise in self-actualization and realization. By applying the above thesis, I have begun to recognize and value elements in the works that arose as a result of my investigation. Symbolic representations of the dichotomous relationship between religiosity and sexuality constitute my personal narrative - the artist's voice - because they represent a conscious, intentional development and understanding of me.","abstract_has_math":false,"creators":["Miller, David Kyle"],"institution":"University of Kansas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Swindell, Jon Keith"],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-01-01","date_published":"2013-01-01","updated_at":"2026-07-24T02:44:56Z","subjects":["Fine arts","Actualization","Identity","Sculpture"],"languages":["en"],"rights":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:12751"],"render_values":[{"text":"http://dissertations.umi.com/ku:12751","href":"http://dissertations.umi.com/ku:12751","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/1808/11713","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Swindell, Jon Keith"]},{"key":"dc:creator","label":"Author","values":["Miller, David Kyle"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2013-08-24T22:21:05Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2013-08-24T22:21:05Z"]},{"key":"dc:date.issued","label":"Date","values":["2013-01-01"]},{"key":"dc:publisher","label":"Institution","values":["University of Kansas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Fine arts","Actualization","Identity","Sculpture"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:12751"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/1808/11713"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The conception and production of BOY as a thesis exhibition is a personal genesis. \"Who am I\" \"Why have I become what I am? \", are the questions I asked myself upon embarking in the creation of BOY. 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